Billion Dollar Brain by Len Deighton

First published in Great Britain in 1966

At some point in Billion Dollar Brain, the unnamed British spy from whose perspective the story is told says to an American named Midwinter: "You think the best way to contribute to a dangerous situation is to raise a private army out of your profits on cans of oil and beans, frozen orange juice and advertising, and to operate your own undeclared war against the Russians." That pretty well sums up the plot. Midwinter wants to recruit the unnamed British spy to his private army of agents; the Brit plays along to learn what Midwinter is planning. The premise is thin and not particularly credible, but it leads into a fun, well-written story that feels only slightly dated despite its 1966 vintage (other than giving the book its title, computers are fairly peripheral to the plot, fortunate given that they operate as little more than expensive answering machines).

In its depiction of paranoid overreaction to the perceived threat of Communism, Billion Dollar Brain reminds me of Stanley Kubrick's Dr. Strangelove. Kubrick's humor is over-the-top while Deighton's is of the understated British variety -- the film is played for laughs while Deighton's novel retains the elements of a thriller -- but both use satire to make the same fundamental point: "facts are no substitute for intelligence" and all the nefarious facts that could be mustered about Khrushchev's Russia would not have justified the decision to initiate a world-ending nuclear conflict.

Billion Dollar Brain is written with an understated nonchalance, low-key humor perhaps too frequently offsetting the tension of high-stakes espionage. Although it is one of Len Deighton's early novels, he wielded all the tricks in a seasoned writer's arsenal to direct a play in the reader's mind. Dialog often makes the reader picture scenes that are never directly described; non sequiturs force the reader to rethink characters and settings; offhand remarks help the reader imagine the details of a character's personality. The plot takes a couple of perfect twists before arriving at a satisfying conclusion.

Billion Dollar Brain doesn't have the same heft as Deighton's later novels but the story is fun, the characters are quirky, and the writing is so engaging that the novel is of enduring value.

RECOMMENDED

Spy Sinker by Len Deighton

Published by HarperCollins in September 1990

Spy Sinker retells the Samson saga (as developed in the Game, Set, and Match trilogy and in the first two books of the Hook, Line, and Sinker trilogy) from the points of view of players other than Samson: notably his wife Fiona, the bombastic fellow agent Bret Rensselaer, the Director General Henry Clevemore, and the power behind the scenes, Silas Gaunt. Most of the novel centers on the Game, Set and Match time frame. It fills in gaps and provides additional insight into Fiona, but unlike the other novels, this one is more expository, more telling than showing.

Spy Sinker is essential if you've read the other five for the clarifying background it provides and for tying up loose ends (and maybe even for making sense of the whole thing, because trying to keep information straight that develops over the course of five books is challenging: this novel acts as an outline of prior events). As a stand-alone, however, it's a bit more of a yawner than other books in the series, and certainly a spoiler if you don't save it for last. Its main interest derives from the insight it provides into characters you've grown to know (and to like or dislike, depending on the character) over the course of the first five books.

RECOMMENDED

Spy Line by Len Deighton

Published by Alfred A. Knopf on November 25, 1989

Spy Line -- the middle installment in the Hook, Line, and Sinker trilogy -- picks up where Spy Hook left off. Samson's loyalty is questioned, he isn't getting answers to his own questions about his wife's defection, people are dying, and people who seemed to die in the past aren't staying dead. More I cannot say without spoiling the intricate plot.

Spy Line has more action than the previous novel. Samson proves himself an adept field agent even after years behind a desk. But he isn't a James Bond type superhero; he's a dedicated public servant who wants to uncover the truth even if his superiors would prefer that the truth be kept secret. The minor characters in Spy Line really shine: they bumble, they seduce, they act shamefully or unselfishly -- in short, they behave as inconsistently and unpredictably as real people, and real people is what they feel like. Deighton does a masterful job of bringing every character to life in this book. He also does a remarkable job of establishing a sense of place -- the reader feels present in (what was then) East Germany, feels the repression, the fear, the history. And he does a satisfying job of tying together the loose threads, of resolving all the outstanding plot lines.

The story is compelling (even shocking) but this novel stands out for Deighton's portrayal of Samson as a man torn apart by his love for a treasonous wife, for his live-in girlfriend, and for his country (which doesn't treat him well at all). This novel is nearly as good as John Le Carre at his best.

RECOMMENDED

Spy Hook by Len Deighton

 

Published by Alfred A. Knopf on December 3, 1988

This is the first novel of a trilogy that follows the Game, Set and Match trilogy (in which British agent Bernard Samson's wife Fiona defects). Spy Hook begins with the beleaguered Samson asking former agent Jim Pettyman, now working for an American corporation, to return to England to answer questions in the investigation of missing agency funds. After considerable intrigue involving (among other characters), a Hungarian known as Dodo, Samson learns something he isn't supposed to know about Bret Rensselaer, an agent who played an important role (and died) in the Game, Set and Match trilogy. To the consternation of his bosses, Samson keeps nosing into the missing money, following his suspicion that Fiona set up the account. Eventually Samson comes under suspicion (could he be working with his treasonous wife?) and as the noose begins to tighten, we come to a cliffhanger ending.

The sheer number of characters involved in the story can make it a bit confusing, but that complexity is just a reason to pay attention, to look back from time to time, or to take notes, not to dislike the book. The story is fast paced, intriguing, tightly plotted and well written with sharply defined characters. Samson's growing confusion as he defies orders and investigates matters he's supposed to leave alone makes him an appealing, sympathetic character. The supporting characters are often recognizable components of bureaucratic institutions -- the ones who get ahead by knowing the right people and stay there by creatively doing nothing, taking credit for the hard work of their subordinates.  All told, Spy Hook is an excellent beginning to the trilogy, topped only by Spy Line,  the second installment.

RECOMMENDED

Catch a Falling Spy by Len Deighton

First published in 1976

Catch a Falling Spy (also published under the title Twinkle, Twinkle, Little Spy) is a well crafted spy thriller that incorporates elements of dark comedy with gritty action, suspense, and a noir atmosphere. The characters lack the depth of Bernard Sampson, the star of many of Deighton's later novels, but they are nonetheless convincing.

British agent Harry Palmer teams with CIA agent Mickey Mann to help Bekuv, a Russian scientist, defect.   Their mission leads them to a dangerous encounter in the Sahara Desert.  Once they finally have him in a place of safety, Bekuv refuses to cooperate unless his beautiful young wife, Katerina, joins him.  An assassination attempt and the emergence of a secret society of Ruyssian scientists contribute to the intrigue.  Added to the ever growing list of characters who may or may not be traitors are a U.S. senator, the senator's aide, and Harry Dean, a washed up CIA operative who is found with an embarrassing amount of cash in his private stash.  Is anyone to be trusted?  Only by reading to the conclusion of this exciting story can the reader answer that question.

Deighton mixes credible, fast-moving action scenes with psychological drama in a novel that takes the reader on a wild journey.  While not as complex as Deighton's later work, Catch a Falling Spy offers an early example of this fine spy novelist's talent.

RECOMMENDED