Published by Alfred A. Knopf on November 25, 1989
Spy Line -- the middle installment in the Hook, Line, and Sinker trilogy -- picks up where Spy Hook left off. Samson's loyalty is questioned, he isn't getting answers to his own questions about his wife's defection, people are dying, and people who seemed to die in the past aren't staying dead. More I cannot say without spoiling the intricate plot.
Spy Line has more action than the previous novel. Samson proves himself an adept field agent even after years behind a desk. But he isn't a James Bond type superhero; he's a dedicated public servant who wants to uncover the truth even if his superiors would prefer that the truth be kept secret. The minor characters in Spy Line really shine: they bumble, they seduce, they act shamefully or unselfishly -- in short, they behave as inconsistently and unpredictably as real people, and real people is what they feel like. Deighton does a masterful job of bringing every character to life in this book. He also does a remarkable job of establishing a sense of place -- the reader feels present in (what was then) East Germany, feels the repression, the fear, the history. And he does a satisfying job of tying together the loose threads, of resolving all the outstanding plot lines.
The story is compelling (even shocking) but this novel stands out for Deighton's portrayal of Samson as a man torn apart by his love for a treasonous wife, for his live-in girlfriend, and for his country (which doesn't treat him well at all). This novel is nearly as good as John Le Carre at his best.
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