Starter Villain by John Scalzi

Published by Tor Books on September 19, 2023

Starter Villain is more a crime/conspiracy novel than a science fiction novel, but John Scalzi writes science fiction so it needed an sf hook. Which is, talking cats.

Scalzi has written dramatic science fiction that is notable for its pathos. Some of his work is lighter. Starter Villain is meant to amuse. It made me smile consistently. I even laughed out loud a couple of times, but it’s not the kind of work that puts a reader through a gamut of emotions.

Scalzi focuses the novel on a decent man who happens to like cats, probably a man who is a lot like Scalzi. Charlie Fitzer is unlike Scalzi in that Fitzer lost his career as a writer — a journalist who covered the business world — when the economy tanked. Fitzer is working as a substitute teacher and falling behind on his bills. His father bequeathed his childhood home to a trust for Charlie and his half-siblings but gave Charlie the right to live in the home provided he paid the insurance and utilities. His half-siblings believe their father’s intent was that Charlie should get back on his feet before the house is sold out from under him. They are irked that Charlie is making insufficient progress toward that goal.

Charlie has a wealthy uncle he hasn’t seen since the uncle had a falling out with his father at his mother’s funeral when he was five years old. Charlie learns from watching a financial network broadcast that his uncle has died. His uncle’s assistant, a woman named Mathilda Morrison, shows up unexpectedly to tell him that he’s in charge of his uncle’s funeral. Charlie responds dutifully. The only other people who show up at the funeral are the designees of wealthy criminals (think oligarchs) who want to stab the uncle’s corpse to make sure he isn’t faking his own death (again).

After someone blows up Charlie’s house, Mathilda explains that his uncle was a successful criminal. She provides temporary housing for Charlie and reveals that his cats have been genetically modified, enabling them to communicate by keyboard. Charlie’s uncle used modified cats to spy on his enemies, Charlie, and pretty much every important person who owns a cat.

Charlie is soon introduced to a criminal organization to which his uncle belonged, or joined and left, or never joined, depending on who is telling the story. Ian Fleming loosely based SMERSH on rumors of the organization and loosely based Blofeld and his cat on one of its members. The plot concerns the organization’s belief that Charlie, as successor to his uncle’s criminal enterprise, owes the organization billions of dollars because his uncle either stole property belonging to the organization or competed unfairly with its members or breached an agreement to tithe his profits to the organization. Charlie takes a casual approach to their demands but proves to be a smarter businessman than any of the criminals, all of whom have a sense of entitlement but no business sense at all.

While I prefer Scalzi when he’s telling stories with more drama than talking cats can provide, I can’t fault the entertainment value of his lighter fare. His novels are often a roadmap for how to behave decently even when surrounded by people who behave selfishly. Charlie is easy to like and Scalzi rewards the reader’s interest in the character. The plot is surprisingly coherent for a book that features talking cats and unionized dolphins. Starter Villain moves quickly, seasons a pleasant story with amusing moments, and reaches a satisfying resolution.

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The Kaiju Preservation Society by John Scalzi

Published by Tor Books on March 15, 2022

John Scalzi spent two months of his pandemic knocking out an amusing novel. When he’s being serious, Scalzi can be an incredibly moving writer. Even when he knocks out a two-month pandemic wonder that is written for laughs, he’s a good storyteller who makes me smile.

Jamie Gray has a tech job for a niche startup that competes with food delivery apps like Uber Eats. After he’s fired, he signs up to make deliveries because there aren’t many jobs available during the pandemic. After making several deliveries to a customer who has sympathy for Jamie’s situation, the customer offers Jamie a job. His new job, as he frequently explains, is to lift things.

Until he arrives in Greenland, Jamie doesn’t realize that he will be working in another universe. It’s possible to cross into that universe (and for very large and nasty creatures called kaiju to cross into ours) when the dimensional barrier is weakened by nuclear explosions. Unfortunately, the radiation from those explosions attracts the kaiju, who are basically powered by their own naturally occurring nuclear reactors.

The kaiju are not so much animals as ecosystems. They maintain symbiotic relationships with parasites that keep them from exploding like a nuclear bomb. Every now and then, their system breaks down and the kaiju die a spectacular death.

Most people don’t know about this alternative universe, although rich people are in on the secret because they’re helping the government fund its study. Jamie’s team is one of three that periodically enter the universe through the Greenland portal. Most of his colleagues are scientists but they still need someone to lift things.

Scalzi explains enough of the science underlying the alternate Earth to fool me (a nonscientist) into believing that the story is plausible. That’s all the science I need in a story that is meant to amuse.The plot sets up a rich guy as an evil nemesis of Jamie. Naturally, the evil rich guy embarks on an evil scheme and it will be up to Jamie (and a few other characters) to thwart him.

This is primarily a science fiction conspiracy thriller with enough action to justify calling it a thriller despite its failure to thrill. The plot doesn’t hold any real surprises, but the characters’ banter is … amusing. Scalzi fans presumably understand how his characters  engage in good-natured banter. The banter is probably enough to keep them happy until Scalzi turns his attention to more serious work.

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The Last Emperox by John Scalzi

Published by Tor Books on April 14, 2020

The Last Emperox is the third book of the Interdependency trilogy that began with The Collapsing Empire and continued with The Consuming Fire. The first book sets up the detailed background that serves as a springboard for the next two. When I read it, I wondered whether all that background was really necessary. Perhaps the trilogy would produce a story that might better be told in a single volume without all the detail, however interesting it might be, that John Scalzi served up in The Collapsing Empire. With apologies to Scalzi, who knows more than I do about how to write John Scalzi books, I confess I was wrong. The final two volumes are each packed with storylines, way too much to cram into a single volume and all of it essential, or at least worthwhile. Anyway, trilogies give writers three advances and royalties on three books instead of one, and who am I to complain about Scalzi earning a living? Readers who invest in all three books will not find themselves cheated.

By the end of The Consuming Fire, we know that flow streams connecting various places that humans occupy in the Interdependency are collapsing. Marce Claremont has brought that news to the relatively new Emperox, whose formal name is Grayland II. Informally, she is still Cardenia of the House of Wu, a relatively young woman who is forced into the life of a ruler when she would rather have the freedom that comes with a less stressful existence. Like most of the female characters, Cardenia has a healthy sexual appetite, much to Marce’s benefit. Various political machinations have ensued, including attempted assassinations, but Cardenia is still holding power, although to what end is uncertain. When the flow streams finally collapse, the Interdependency will collapse with them, producing a period of anarchy and massive death brought about by insufficient and suddenly irreplaceable resources.

The Last Emperox continues the political plot that lies at the novel’s heart. The villainous Nadashe Nohamapetan, seemingly foiled in the second novel, is up to new tricks in this one. She is matched against Lady Kiva from the House of Lagos, a delightfully foul-mouthed woman whose sex drive might better be described as insatiable than healthy, and good for her. Kiva may be allied with Cardenia or working against her. Scalzi keeps the reader guessing.

The plot is lively. Scalzi uses it to make the always timely observation that power is short-sighted. People who hold it want to keep it. If their actions accelerate the destruction of whatever (the environment, the government, the Interdependency), they’ll let the next generation worry about it. Maintaining power and accumulating more of it trumps (pun intended) the harm they cause to everyone else. Naturally, rulers of the powerful houses hatch a plan to save themselves from the flow stream collapse because, if only a few people will be able to survive, they feel entitled to be the survivors.

I expected the protagonists to come up with a plan to save the human race (or that part of it that lives in the Interdependency, which or may not be all of it) and they do, sort of, but the plan surprised me. It’s both clever and a testament to the willingness of good people to set power aside and to sacrifice everything for the greater good. Maybe science fiction fans carry the idealism to believe that our better selves will ultimately triumph. Maybe the fond hope that there is something salvageable, something decent, in human nature is what makes me keep reading science fiction. That, and good storytelling that revitalizes the sense of wonder. Scalzi attains those objectives better than most science fiction writers. In The Last Emperox, he brings a well-conceived plot to a satisfying conclusion while leaving room for related stories to be told. I hope he gets around to telling them.

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The Consuming Fire by John Scalzi

Published by Tor Books on October 16, 2018

The Consuming Fire is the second novel in John Scalzi’s Interdependency trilogy. The Collapsing Empire introduces key characters and sets up the trilogy’s framework. The habitats of the Interdependency are facing a crisis as the Flow streams that link them begin to disappear. The habitats truly are interdependent, with the possible exception of the planet End, resulting in the likely death of their inhabitants when they are cut off from their trade partners.

The Consuming Fire is more satisfying than the first installment because, having established the premise, Scalzi is free to do something with it. In addition to developing a solid plot based on political conspiracies, Scalzi uses the book to teach an allegorical lesson. The collapsing flow streams pose an existential threat, but the members of the power structure — industrialists, religious leaders, and politicians — refuse to consider the long-term implications of that threat because they are only concerned about their short-term goals: acquiring and maintaining wealth and power. They are more interested in propping up the stock market than in acknowledging a threat that will make their stocks meaningless in a few years. They are happy to let the next generation worry about the consequences of their greed. Does that remind anyone of, for example, global warming?

The story fills in more background about how the Interdependency came into being. It’s a clever story involving the manipulation of the superstitious with religious visions and prophesies that were faked by the first emperox. The visions were “meant as parables to help a divided humanity understand the need for a new ethical system that focused on cooperation and interdependency.” The current emperox, Grayland II (f/k/a Cardenia), uses the same trick to control the empire’s citizens in a time of crisis.

The plot follows a grand scheme to overthrow Cardenia that brings together the House of Nohamapetan (which tried to assassinate Cardenia in the first novel) and disloyal elements of her own house (the House of Wu). The few people who are on Cardenia’s side include Kiva, whose house is at odds with Nohamapetan, and Cardenia's lover, the mathematician Marce Claremont, who remains focused on the imminent collapse of the flow streams and the deaths that will follow if humans cannot make their way to End, a planet that is now under the inconvenient control of the House of Nohamapetan.

In a critical subplot, Marce discovers that older flow streams are temporarily reopening, including one that leads to a lost system. Marce travels there with a small team to learn what they can about survival strategies, only to discover that a few plucky humans are still alive, 800 years after their orbital habitats were cut off from supplies. More importantly, he finds a ship from a forgotten system of planets that is operated by a captain whose consciousness was downloaded into the ship’s operating system.

Scalzi combines action with intrigue in a fast-moving novel that suggests important lessons without becoming preachy. Cardenia continues to develop as a character, growing into a role as emperox that she didn’t want, using her wits and marshalling her toughness to take on political opponents who view her as weak and naïve. I look forward to seeing how Cardenia gets the empire out of the mess its short-sighted industrialists and politicians have created.

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The Collapsing Empire by John Scalzi

Published by Tor Books on March 21, 2017

The Collapsing Empire is the first book in a trilogy. The last book was recently published. I’ll read it after I finish the second novel, which (like the first one) the publisher kindly provided for review.

Interstellar travel in the Interdependency trilogy is possible because certain places in the universe are connected by navigable streams (“rivers of alternate space-time”) called the Flow. Each stream moves in one direction but is conveniently paired with a stream that moves in the opposite direction.

Humans established a presence in a few dozen star systems by traveling to them via the Flow. In most systems, humans live underground or in orbiting habitats. The humans in each system trade with humans in other systems through the Flow streams. All the humans belong to the Holy Empire of the Interdependent States and Mercantile Guilds, also known as the Interdependency.

While the streams remain stable for a considerable time, they sometimes shift or disappear. The stream to Earth collapsed about a millennium before The Collapsing Empire takes place. Another stream collapsed a couple of hundred years later, causing the loss of contact with the inhabitants of that system. The remaining systems of the Interdependency rely on the Flow for trade, and none of those habitats have sufficient resources to enable their long-term survival if they were cut off from the others.

The human presence at the center of the Interdependency (where flow streams converge) is called Hub, while the habitat that is farthest from the others is called End, because future humans are remarkably unimaginative. End is the only place on which humans actually colonized a planet. If the Flow streams disappear, End is the last hope for survival of the humans living in the Interdependency.

The imperial dynasty for some time has been the House of Wu. The emperox has ruling authority throughout the empire, although the emperox is advised by an executive committee that represents the legislature, the church, and trade unions. The emperox dies early in the novel, making his illegitimate daughter Cardenia the new emperox. It is a job she doesn’t particularly want.

So that’s the background against which the trilogy is set. The background, however, is about to be disrupted. A physicist named Hatide Roynold concluded that the Flow streams would soon rearrange, establishing End rather than Hub as their nexus. Her research was privately funded by the House of Nohamapetan, which hopes to keep her findings a secret so that the knowledge could be exploited to the family’s advantage. Lord Ghreni Nohamapetan on End and Lady Nadashe Nohamapetan on Hub are the novel’s principal villains.

However, a physicist on End, the Count of Claremont, has been secretly funded by the emperox. Claremont, assisted by his son Marce, determined that Roynold was wrong and that all the streams will soon collapse, isolating each system from every other system. Hence, the novel’s title and the driver of the plot.

Nearly all of this novel is a setup for the story to come. It introduces key characters, including Cardenia, Marce, Lady Kiva from the House of Lagos (a family of traders), and the villains. Political machinations include a couple of attempted assassinations on Hub and a rebellion on End. We learn a bit about Cardenia’s insecurities, revealed largely in conversation with the computer-stored constructs of earlier dynasty members who held the position of emperox. A romance or perhaps just lust begins to blossom between Cardenia and Marce, while lust pretty much defines the personality of Kiva.

The novel is of no more than average length, which makes me wonder whether the story might have been better told as a Dune-length novel rather than breaking it into three books. The book does not work as a standalone because no self-contained story is resolved. That makes The Collapsing Empire difficult to review — it’s like reviewing the first third of a novel — given that whether the novel is a worthy read will depend on the success of the trilogy as a whole. I can say, however, that the novel held my interest, that it moves quickly, and that the premise is intriguing.

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