Kennedy 35 by Charles Cumming

Published by Mysterious Press on November 7, 2023

Kennedy 35 is the third installment in Charles Cumming’s BOX 88 series of espionage novels. The protagonist, Lachlan Kite, is now the head of BOX 88, an off-the-books, ultra-secret organization that brings together agents from American and British intelligence agencies.

Kite is married but separated from his wife. He begins the novel in Sweden, where his wife is a physician who recently gave birth to his daughter. He hopes to spend several weeks with his family, perhaps repairing his relationship with his wife, but his plans change when he gets a message from Eric Appiah, a friend from Senegal who went to school with Kite. Appiah does some freelance work for BOX 88. If me wants to meet with Kite, the meeting must be important.

Having learned a lesson about trying to maintain a relationship while concealing the nature of his work, Kite tells his wife as much as he can about Appiah. His story takes him back to 1995. Kite was sent to Senegal with his girlfriend, Martha Raines, who was there to complete his cover as a backpacking tourist. He was to play a collateral role in a plan to kidnap Augustin Bagaza, a Rwandan Hutu who shared responsibility for the genocide of the Tutsi people. Bagaza is in Senegal with his Congolese Hutu girlfriend, Grace Mavinga, a woman who delighted in murdering the Tutsi. France was complicit in the genocide and may have an interest in protecting Bagaza to safeguard its shaky international reputation.

About half of Kennedy 35 follows Kite’s mission as he travels through dangerous cities, maintaining surveillance of Bagaza in anticipation that BOX 88 operatives will snatch him before he and Mavinga can flee the country. Kite’s role in the mission becomes more dangerous when Philippe Vauban, a French journalist with PTSD whose Tutsi girlfriend was murdered by Bagaza, suffers a psychotic episode and decides to embark on a mission of revenge.

Cumming crafts tense scenes as Kite moves from boring afternoons in a small Senagalese resort to the adrenalin rush of surveillance and tradecraft in the space of a few days. The story from 1995 ends with a shootout and Mavinga’s flight from the country.

The rest of the novel takes place in 2022, beginning with Kite’s contact with Appiah. An American writer/podcaster, Lucian Cablean, has tumbled to the story of Bagaza’s disappearance in 1995 and has heard rumors about Kite’s secret organization. To protect BOX 88, Kite meets with Cablean, learns of a friend’s death, discovers that Cablean has also been targeted, and tracks down Martha Raines and Mavinga. The second half of the novel is interesting but less compelling than the story set in Senegal.

The 1995 story works because Cumming has mastered the creation of atmosphere. The smells, sounds, and tastes of Dakar become part of the story, complete with potholes and noisy motorbikes and unreliable taxis, dance clubs populated by wealthy men and beautiful young hookers. Cumming also captures the pain of a genocide that American media barely reported. Some genocides are important to Americans and others involve victims who don’t have white skin.

While the novel’s second half features less action, Cumming does imagine a clever plan to protect the secrecy of BOX 88. While the novel is self-contained, the ending might be described as a cliffhanger, as it ends with Kite taking a disturbing telephone call that seems likely to upend his life. I didn’t need that incentive to look forward to Cumming’s next novel, as he has firmly established himself as one of the better spy novelists currently working in the genre.

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JUDAS 62 by Charles Cumming

First published in the UK in 2021; published by Mysterious Press on December 6, 2022

JUDAS 62 continues the story that Charles Cumming began in BOX 88. The book is the second in a series that features Lachlan Kite. It isn’t necessary to read the first to enjoy the second.

Kite is essentially running BOX 88, a clandestine organization that brings together spies from the US and Great Britain, a pairing that isn’t legally sanctioned and that is only known to a few key employees of the CIA and MI6. BOX 88 told the story of Kite’s first assignment. JUDAS 62 tells the story of his second mission. The details of Kite's current predicament are sandwiched around the story of his second attempt to please his spy masters. That mission left some loose ends that, decades later, Kite needs to tie up.

In the present, Kite learns that his name (or rather, the name of the alias he used in BOX 88) is on a Russian hit list (the Judas list). That revelation follows the assassination of a Russian defector who had been given a false identity and a job in Connecticut. Kite resolves to put an end to the assassinations.

The story then pauses as Kite remembers his second assignment for BOX 88. Kite was sent to Russia, where he posed as an English language instructor. Before leaving, he had a tiff with his girlfriend Martha, who got high and canoodled with another guy at a party. Martha eventually resurfaces to complicate Kite’s life.

Kite’s mission in Russia is to exfiltrate Yuri Aranov, a Russian scientist with expertise in biological and chemical weapons. Aranov is willing to defect to the country that offers him the best deal. The British want to make sure that country isn’t Iran or some other nation that might deploy the weapons that Aranov is capable of designing. Aranov has agreed to enroll in the English language class that Kite will teach so he can hear Kite’s pitch.

Kite is confident that one or more of his students works for the FSK and is taking the class to keep an eye on Aranov or Kite or both. Kite nevertheless makes no effort to resist seduction by his most beautiful student, Oksana Sharikova, in part because he’s still miffed at Martha and feels that if he is betraying her, she deserves it for betraying him. Betrayal, of course, if a primary theme in nearly every good spy novel. Oksana was with Aranov before she seduced Kite, but Aranov betrayed her for another woman. Kite worries that Aranov might view Kite’s relationship with Oksana as a betrayal. The reader will worry that Oksana is an FSK honeytrap who will betray Kite.

Illicit border crossings are a classic component of spy fiction. Cummings builds suspense as the reader wonders whether and how Kite and Aranov will make it out of Russia. Cummings tosses in enough complications to make those worries palpable. The story then shifts back to the present, where Kite decides that a Russian defector who is on the Judas list should be moved to Dubai and dangled as bait for Mikhail Gromik, a Russian intelligence officer Kite first encountered in BOX 88. The plot will imperil the double agent England has planted in the FSB (BOX 88’s source of information about the Judas list), creating additional suspense in a story that regularly places sympathetic characters in harm’s way.

An interesting side note in JUDAS 62 involves the difficulty that male spies have keeping it in their pants. Kite nearly messed up his assignment in BOX 88 because his attention was diverted by a hot young woman. Kite does the same thing in first half of JUDAS 62, when he was still a young and relatively new spy. Late in the novel, another spy breaks a woman’s heart because of his opportunistic approach to sex — if the opportunity is there, he seizes it. Cumming suggests that the thrill and danger of being a spy encourages men to seek inappropriate sexual release, but it could just be that they are being guys — guys who have the personalities and looks to succeed both at spying and seduction. In any event, while the sexual adventures of the characters are not presented in graphic detail, they add some spice (and extra drama) to the story. To his credit, Cumming recognizes the harm caused to sincere women who are used for the sexual convenience of men.

Another interesting side note is wrapped up in a speech that Kite gives at the end of the novel as he encourages another spy to remain with the organization. Intelligence agencies exist to collect information, Kite proclaims, but the problem with the world is not the absence of information but the flood of untrustworthy information. In Russia and China, state-controlled media tell residents what to believe. In the US, liars on social media tell Americans what to believe. And sadly, too many people believe the lies. “It’s a question of whether people are smart enough to realise that they’re being manipulated,” Kite says. The other problem is that people in power want to remain in power and will “do everything they can to remain in place.” Spreading misinformation helps them achieve that goal. Kite wants good people to “make it as difficult as possible for corrupt people and those who serve them to remain in power and manipulate the truth.” The point Kite makes is clearly not limited to spies.

I enjoyed BOX 88 and I enjoyed JUDAS 62 even more, in part because we get to see more of Kite as an older, more mature man. The plot in the new book is also more complex, particularly with regard to events in the present. Cumming has a long history of producing capable spy fiction. He’s doing some of his best work in the BOX 88 series.

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BOX 88 by Charles Cumming

Published in Great Britain in 2020; published by Mysterious Press on January 11, 2022

Lachlan Kite works for an off-the-books organization created by intelligence agents from the US and the UK. The organization, known as BOX 88, hasn’t been authorized by either government. Few people know that it exists, although key CIA and MI6 agents divert their agency funds to BOX 88.

Kite was born and raised in Scotland, where his parents operated a hotel. When his father died, his mother sent him to Alford, a boarding school for the elite that Kite attended on a scholarship. Kite got into the requisite amount of boarding school trouble, usually in the company of his friend Xavier Bonnard, the son of an elite father. A “beak” (teacher) at Alford named Billy Peele spotted Kite’s potential for intelligence work and recruited him into BOX 88. Kite’s friendship with Xavier positioned him for a special assignment before he started college.

The story begins with Kite attending Xavier’s funeral. He meets a woman who has a flawed cover story. Kite correctly assumes that the woman is with MI5 and that she’s investigating BOX 88. Kite also meets an Iranian who claims to have been a friend of Xavier. Kite is inclined to believe the Iranian until he’s kidnapped and interrogated. The kidnapper questions Kite about his first mission. Kite weaves a story while denying that he was a spy when he visited the vacation home of Xavier’s family in France. As Kite answers or dodges questions, he recalls his childhood, recruitment, and efforts to gather intelligence on an Iranian guest of Xavier’s father, Luc Bonnard. He also recalls the passion he felt for Martha Raine.

Most spy novels are about betrayal. Kite feels that he is betraying his friendship with Xavier by taking advantage of the friendship to spy on Luc Bonnard’s Iranian friend. He feels that he is at least indirectly spying on Xavier’s family, a feeling that intensifies as Kite’s mission continues. In the present, Kite comes to feel that he has been betraying his wife by concealing the truth about his occupation, particularly after the kidnapper tries to gain leverage over Kite by threatening to kill his wife.

Charles Cumming balances action and characterization as the novel switches between Kite’s captivity in the present and his intelligence gathering as a teen. Both the scenes in Kite’s teen years and in the present build suspense. Aspects of the ending come as a surprise.

BOX 88 is apparently an origin story, the first in a series of books that will feature Kite and his clandestine organization. I hope that’s true. Cumming’s spy novels have generally been enjoyable if a bit uneven. BOX 88 is one of his best.

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The Moroccan Girl by Charles Cumming

Published by St. Martin's Press on February 12, 2019

I always count on Charles Cumming to tell a good story. Like Kit Carradine, the protagonist in The Moroccan Girl, Cumming writes spy novels that occupy a space “between the kiss-kiss-bang-bang of Ludlum and the slow-burn chess game of le Carré.” The Moroccan Girl fits nicely in that niche.

The novel is set against the background of a social protest movement known as Resurrection. Unlike Occupy or Antifa, Resurrection takes direct action against specific individuals who exemplify greed and social injustice, sometimes by kidnapping or killing them. The group’s founders included a Russian named Ivan Simakov and his girlfriend, Lara Bartok, who was born in Hungary. By the time Simakov died in an explosion in Moscow, the movement had thousands of members.

Lara begins the novel by making a statement to the Secret Intelligence Service. Her statement is divided into five parts. Between each part, Cumming reveals the backstory.

By chance (or not), Kit Carradine meets Robert Mantis, who identifies himself as a British spy. Kit has been invited to attend a literary event in Marrakech. Mantis recruits him to pass some money to an asset in Casablanca and to look for a woman in Marrakech who has gone missing. It does not take Kit long to discern the woman’s identity. She is, of course, Lara Bartok.

Kit sees the invitation as the opportunity to follow in his father’s footsteps by doing real work as a spy and hopes that a successful mission might spark a secondary career as a clandestine asset for the SIS. He feels inspired by Maugham, Greene, and Forsyth, all of whom mixed the reality of espionage with their fictional creations. That’s a clever and credible premise, because what spy fiction fan doesn’t imagine being a spy?

Kit enjoys the intrigue of Casablanca until a series of encounters with people who might also be spies convince him that his amateurism has screwed up his mission. Kit’s ego and his desire for future assignments then overcome his good judgment. He decides to prove his value by ignoring instructions and continuing to search for Lara. Along the way, Kit meets a number of shady characters, any or all of whom might be spies working for America or Great Britain or Russia.

In the tradition of spy novels, the reader is asked to question whether each character is who or what the character purports to be. Some of the answers are surprising, as they should be in a spy novel, but the story is sufficiently plausible to be convincing.

I enjoyed the ideological clashes between people who have competing viewpoints: those who want to save the world from oppressors and those who believe that most people want to join the oppressors at the seat of power; those who view violence as a revolutionary tool and those who reject violence regardless of the ideology that provokes its use. I also appreciated the timeliness of The Moroccan Girl, although to avoid spoilers, I will leave it to the reader to discover the way in which Cumming has crafted a story that parallels current events.

Cumming builds suspense nicely and caps the plot with an action scene as the suspense reaches its climax. The pace is appropriate to a novel that falls between kiss-kiss-bang-bang and slow-burn chess game. The story is never dull but it takes time to establish interest in the characters and to create the kind of atmosphere that makes events in Casablanca and Marrakech seem real. In its plot, characterization, and atmosphere, The Moroccan Girl stands among Cumming’s best spy novels.

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A Divided Spy by Charles Cumming

Published by St. Martin's Press on February 14, 2017

A Divided Spy is the final book in the Thomas Kell trilogy. It builds on the death of Kell’s girlfriend, Rachel Wallinger, and makes occasional reference other to key events in the earlier novels, but it can easily be read as a standalone. However, the reader will likely appreciate the depth of the characters more fully with the benefit of insights provided by the first two novels.

At 46, Thomas Kell has left behind his dangerous days as a spy. Since Rachel’s murder in Istanbul, Kell has gone out of his way to avoid former colleagues at MI6. Kell would like to seek vengeance against Alexander Minasian, the man he holds responsible for Rachel’s assassination, but he has almost resigned himself to injustice. Or at least, he is resigned to it until he learns that Minasian has been spotted at a resort in Egypt.

Kell’s first step is to befriend Bernhard Riedle in Brussels. Riedle is Minasian’s jilted lover. Perhaps Kell can use Riedle to set up Minasian … but who is setting up whom? As is common in spy novels, trust is easily misplaced, leaving the reader to puzzle out the intrigue.

The other plot development involves Shahid Khan, who is returning to England (his birthplace and a land he now views as evil) to carry out a mission. Kell learns, indirectly and incompletely, that a terrorist plot against London might be afoot, and that soon becomes the focus of Kell’s investigation — to the limited extent that his boss, who doubts the authenticity of Kell’s source, will allow him to do anything at all. Of course, the spy who ignores his boss in order to do what he believes to be right is a time-honored theme of spy fiction, and Kell fits within that mold.

Modern spy novels often feature ISIS terrorists while Cold War spy novels reliably focused on Russians. It’s unusual to find a novel that includes both, but Charles Cumming manages to merge them deftly.

Much of the tension in A Divided Spy comes from uncertainty as to whether Kell is being played and, if so, by whom. The battle of wits between Kell and Minasian never quite enters Le Carré territory, but it is both convincing and engaging. The novel’s strength, in fact, is its portrayal of two spies who, while separated by ideology, are fundamentally similar people — a theme Le Carré executed to perfection and that Cumming handles with aplomb.

Cumming’s exploration of the mentality of a spy is really an exploration of anyone who deceives. Telling a constant stream of lies, whether for personal gain or to advance a government’s interests, changes a person’s nature, prevents him from being true to himself. People who care about the truth (people who are not sociopaths) may be destroyed by living a lie, and that is seen to different degrees in both of the novel’s central characters.

At the same time, living with ambiguity, never knowing whether a source (or even a colleague) can be trusted, makes it hard to maintain a moral center. Trust can get you killed; an inability to trust can do the same. The moral conflicts that characterize the best spy fiction are particularly strong in the concluding chapters of A Divided Spy. The novel is a fine end to a series that, taken as a whole, is probably Cumming’s best work.

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