The Weight by Andrew Vachss

Published by Pantheon on November 9, 2010

Sugar is a professional. He's a thief, he's good at his job, and he's proud of his adherence to the rules of the game. Sugar has just finished a jewelry store heist planned by his friend Solly when he's picked up for a rape. He couldn't have committed the rape but he can't give the cops an alibi without admitting that he was stealing jewels when the rape was committed. Eventually he takes a deal, doing time for a sexual assault but skating on the jewelry store job. When he gets out of prison, Solly gives him his cut but sends him to Florida to tie up some loose ends. The bulk of the novel focuses on Sugar's actions in Florida, his attempt to puzzle out what Solly really wants, and his relationship with the woman Solly sends him to meet.

Getting into the heads of society's outcasts is one of Vachss' greatest talents. Few writers match his ability to create authentic criminal characters. Sugar is a big guy, bulging with muscle mass acquired from lifting weights -- and weight (or wait) becomes an important metaphor in the novel (hence the title). Sugar learned an early lesson about the life of a thief: it isn't how much weight you can lift, it's how much weight you can take. Sugar has a reputation as a stand-up guy, an exception to the axiom that there's no honor among thieves. He could have saved himself from prison time and sex offender registration by giving up the planner and the rest of the crew on the burglary, but he elects instead to keep his mouth shut and do his time.

Some readers don't like novels unless the hero is morally stalwart or the novel delivers a morally uplifting message. I admired Sugar's integrity -- his refusal to be a rat -- but a thief's integrity (and Sugar's reluctant use of violence to secure his safety) won't appeal to some readers. Those readers might want to avoid The Weight. I give Vachss credit for creating a sympathetic character who plays by the rules, even if the rules that govern his world contravene society's rules. Readers who can appreciate a thoughtful examination of the criminal mind will probably enjoy The Weight as much as I did.

The Weight isn't as tightly plotted as Vachss' best work. Sugar spends a lot of time thinking out loud or engaging in meaningless arguments, particularly with the woman in Florida. He also seems oddly sensitive to perceived slights. The strongest parts of the novel come from Sugar's prison experiences. Vachss writes with an authentic voice; he obviously understands how prisons work and how inmates survive in a dehumanizing environment. The main storyline is unfortunately written with less intensity. Still, the plot works well enough and it comes to a satisfying resolution. It isn't as good as Vachss' best non-Burke novel (the chilling Shella) but it's still a fun read.

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