Clean Hands by Patrick Hoffman
Monday, June 1, 2020 at 7:12AM 
Published by Atlantic Monthly Press June 2, 2020
Clean Hands blends a modern financial/corporate espionage thriller with an old-fashioned criminal mob story. Yet at the end, it isn’t either of those. The clever plot travels in unexpected directions. The book might not be a good choice for readers who need a hero they can cheer for — corporate law firms, small-time thugs, and people who play dirty tricks in the clandestine world tend not to win a reader’s heart — but the characters all benefit from well-defined if disagreeable personalities.
Chris Crowley, an associate at the Carlyle firm, has his pocket picked. He loses the iPhone on which he has stored incriminating documents about a client of the firm. His failure to password protect the phone, coupled with videos that show Crowley making eye contact with the pickpocket, lead firm investigator Michael D’Angelo to suspect that Crowley is not telling the whole story.
The head of the firm, Elizabeth Carlyle, freaks out because the documents relate to a bank that is the firm’s key client. The bank is suing another bank and neither financial institution has clean hands. Carlyle is worried that the documents will expose her client, and thus her firm, to major liability. She contacts her go-to outside investigator, Valencia Walker, who promises to recover the phone.
The story follows the phone as it gets passed from one crook to another, and then follows Walker as she follows the trail of people who touched it. The investigation takes her to some small-time criminals who plan to trade the phone for money, but the plot conceals a deeper layer of intrigue. The extortion that the theft sets in motion is part of a more intricate scheme with more powerful players who manipulate characters in surprising ways.
The story never loses credibility despite its byzantine plot. The story is built on smart storytelling rather than meaningless action scenes, yet it moves quickly and cleanly, never bogging down in unnecessary detail. Characters are constructed in the same way, with sufficient background to make them real without burying the reader in unnecessary biographical data.
In the end, Clean Hands depicts Machiavellian characters whose hands are anything but clean, but creates sympathy for their self-involved lives by placing them in compromised situations. The story avoids a predictably happy ending, but there is a satisfying amount of karma in this story of morally ambiguous people who are manipulated by shadowy forces they barely perceive.
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