The Kremlin's Candidate by Jason Matthews

Published by Scribner on February 13, 2018

The Kremlin’s Candidate is the third novel in a trilogy that features a Russian spy who has agreed to provide intelligence to the CIA. The spy is a beautiful woman named Dominika who was trained as a “Sparrow” — female Russian operatives who are wise in the ways of seduction. In the first novel, Dominika targets a CIA agent named Nate Nash, only to fall in love with him when he recruits her as a double agent.

In The Kremlin’s Candidate, Nash again encounters a beautiful spy who has been trained in the art of seduction, but this one is a Nightingale, the Chinese version of a Russian Sparrow. Nate has trouble keeping his hands off beautiful spies, which has more than once caused trouble with his CIA superiors. Nash is in Hong Kong after visiting Macao to encourage the defection of a Chinese general who has embezzled state funds to cover a large gambling debt. When Nash meets the Nightingale, he wants to recruit her as a source, given her presumed access to sensitive information as the assistant manager of a hotel frequented by the rich and powerful. Nash doesn’t know that the Nightingale is a Chinese spy but she knows all about Nash. She’s been assigned not just to seduce Nash so that she can learn the name of the Chinese traitor he is recruiting, but to kill Nash for having the audacity to spy on the Chinese.

Before all of that happens, the novel follows the path of the earlier books as Dominika engages in clandestine acts, occasionally meeting with Nash for a debriefing followed by (or following) a romp in bed. Dominika has become the CIA’s best Russian source, thanks to her proximity to Putin and her possible ascension to the top ranks of the SVR. But a Russian mole in the American military is being considered for a position as the next CIA director. Even if she doesn’t get the job, the CIA has been ordered to give all of the candidates briefings that would at least indirectly reveal Dominika’s identity as a CIA source and ultimately lead to Dominika’s torture and execution.

The politics in this novel are more pronounced than in earlier entries. Jason Matthews clearly has no use for politicians who believe that oversight of the CIA is needed to keep it from breaking the law, despite the CIA's history and culture of lawless behavior. The novel's insufficiently hawkish American president (now in his fifth year) isn’t mentioned by name, but it isn’t difficult to understand who Matthews had in mind when he derided the president’s “social progressivism.” Matthews complains that his fictional president failed to take a hard line on Russia, a criticism that seems misplaced when compared to the current and all-too-real president, who touts his friendship with Putin, refuses to implement congressional sanctions against Russia, and ignores Russian interference with American elections. In any event, Matthews portrays Putin as a canny and ruthless character, an assessment with which nearly everyone but Donald Trump would agree. The novel's political tone didn't trouble me because Matthews doesn't let politics get in the way of storytelling, which is all I ultimately care about in a spy novel.

Character and plot development in this series have been strong, and the work that went into the first two books pays dividends in this one. The plot takes a couple of unexpected turns before arriving at a surprising but credible ending. The novel includes enough action to keep the story racing forward without becoming a mindless action novel. Tension arrives in waves and then peaks in the penultimate chapter. Fans of spy novel tradecraft will be happy with the series, and readers who want to admire heroes will enjoy the droll wit and fierce resolve of Americans (and the Russian Dominika) who are unwavering in their belief that free nations treat their people decently and that the fight against authoritarians is always worth waging.

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Palace of Treason by Jason Matthews

Published by Scribner on June 2, 2015

Dominika Egorova, last seen departing for Moscow in Red Sparrow, is again the focus of Palace of Treason. She continues to work as a mole for the CIA, motivated by some awful things she sees in the SVR, where she was trained in twin arts of espionage and seduction. Will she once again break all the rules by sleeping with her CIA handler, Nate Nash? Do you need to ask?

The preliminary story involves an Iranian nuclear engineer who is of interest to both the Russians and the Americans. That story gives Nate and Dominika the opportunity to reunite.

About a third of the way into the story, a new character, embittered by the American intelligence establishment's failure to feed both his ego and his bank account, decides to pass secrets to the Russians. One of those secrets might expose Dominika, leading to a series of chase scenes, fights, and other standard spy thriller fare.

If you liked Red Sparrow (which I did), you will probably like Palace of Treason, simply because it is a similar novel. It blends tradecraft and action with a reasonable degree of character building. Jason Matthews isn't John le Carré or Len Deighton, but he tells a story that is credible and reasonably suspenseful. Interestingly, his Russian villains are drawn with greater detail and complexity than his whitebread American characters.

Palace of Treason is a bit wordier than it needs to be. The novel's sex scenes (including a rather mild encounter with Putin) lack the mature touch of a seasoned author. I could live without Dominika seeing colorful auras around the people she encounters and I still don't understand the point of putting a recipe at the end of every chapter for some meal that appeared during the course of the chapter, a contrivance that forces his characters to eat constantly. Those reservations aside, I continue to enjoy the series. Matthews has a knack for storytelling. For a spy fiction fan, the tradecraft alone makes the novel worthwhile.

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Red Sparrow by Jason Matthews

Published by Scribner on June 4, 2013

"Two agents, both witting of the other, a single handler, the whole case directed by a mad scientist of a CI chief, two mole hunts -- and the added necessity of having to decide where to eat dinner." That sentence, appearing about three-quarters of the way into Red Sparrow, stands as a quick-and-dirty summary of an absorbing plot.

Red Sparrow begins with a traditional, but well executed, surveillance/chase scene. CIA agent Nathaniel Nash meets with a highly placed asset in Moscow, code named MARBLE, and manages to elude the FSB agents who stumble upon the meeting site. Vanya Egorov, First Deputy Director of the SVR, knows Nash met with someone, but doesn't know the traitor's identity. Nash has protected his asset but has blown his own cover.

After Nash is reassigned to Helsinki, the story shifts to Dominika Egorova, Vanya's niece, a determined woman who sees the colors that surround people. A detailed backstory explains how this oddly-wired woman became an SVR operative. It eventually becomes Dominika's mission (and Vanya's obsession) to trap Nash, to learn from him the identity of his Russian asset. Much of the initial fun in Red Sparrow derives from the chance to follow two intelligent intelligence officers as they try to recruit each other. The story eventually introduces a highly placed spy in the American government, the counterpart to MARBLE, but Nash and Dominika always remain the story's focus. About halfway through the novel, a conventional plot takes the sharp turn that separates jaw-dropping stories from those that are merely good.

A good spy novel needs moments of tension. Jason Matthews excels at those. He builds anticipation that instills serious teeth-gnashing as he places key characters in precarious positions. He makes palpable the anxiety endured by double agents who risk being unmasked. The last quarter of the novel is particularly intense. The plot thread concerning Dominika's relationship with Nash could have become trite (the stuff of trashy movies), but Matthews makes the emotions real while keeping the story fresh.

A good spy novel also needs good tradecraft, and the descriptions of tradecraft in Red Sparrow are exceptional. Spy novels often describe the schools in which the techniques of field work are taught, but I've never encountered such a thorough description of training in seduction, the clinical lessons imparted at Russia's Sparrow School. Although they detail the objectification and humiliation of women, the scenes are written with sensitivity and compassion.

The convincing portrayal of Dominika's roiling emotions, her evolving contempt for her masters, and Nash's evolution from a nakedly career-driven spy to a grounded human being make the lead characters in Red Sparrow memorable. Even minor characters are given full biographies. In fact, if Red Sparrow has a weakness, it is that so many characters are developed in so much depth that the novel is longer than it needs to be. Fortunately, it never drags, and that weakness disappears before the novel's second half.

Dominika's ability to see colored auras emanating from people is a little whacky for my taste, but that's the novel's only other misstep. Like real people, the characters spend some of their time eating. Their meals are described in mouth-watering prose. Rather incongruously, each chapter is followed by a recipe for some dish that is mentioned in the text. A chapter that ends with a dramatic death, for instance, jumps to a recipe for shrimp salad. The recipes are an odd addition to a spy novel, but people who have more culinary skill than I do might find them useful. In any event, they don't detract from one of the most impressive debut espionage novels I've encountered.

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