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Entries in Isabel Allende (1)

Wednesday
Jun072023

The Wind Knows My Name by Isabel Allende

Published simultaneously in Spanish and English; published in translation by Ballantine Books on June 6, 2023

The Wind Knows My Name tells the stories of three American immigrants who were forced to leave their homelands to escape oppression. A Jewish child who escaped from Austria in 1938 thrives in the US. A Salvadoran child who entered the US in 1969 makes a happy life for herself. During the pandemic, a child from El Salvador whose mother fled domestic violence is at risk of being deported. The story is a powerful reminder that America is shirking the role it once embraced as a sanctuary for those who are “yearning to be free.”

The novel begins with the stories of two children who survived attempts to exterminate their communities. Samuel Adler’s parents send him from Austria to Great Britain before they die in the Holocaust. Leticia Cordero is in a hospital, away from her village in El Salvador, when the village is destroyed by soldiers who believe that its inhabitants might be harboring insurgents. Her father, the lone survivor in her family, smuggles her into the US.

Samuel grows up to play the violin in the London Philharmonic, although his true love us jazz. On a visit to New Orleans, he meets the rebellious Nadine LeBlanc. They might not be a perfect fit, but she is the love of his life. They are together and apart at various stages of their lives, but Samuel explains that they “invested so much into our relationship that it was always worth saving.” The need to accept the inevitability of change is one of the novel’s themes.

As an adult, Leticia’s father and husband die within months of each other. A friend helps her begin a career as a cleaner.

The third set of principal characters includes Selena Durán, a social worker who deals with migrant children at the Mexican border. She recruits a prestigious law firm to help Anita Díaz, a blind child whose mother was denied asylum (the gunshot wound in her stomach wasn’t enough to prove her life was in danger). Anita is being held with other detained children while her lawyer, Frank Angileri, fights to win her asylum claim. Frank and Selena also search for Anita’s mother, who wasn’t officially deported but doesn’t seem to be in the country or in the refugee camps on the Mexican side of the border.

The lives of characters intersect as the novel progresses. Some fall in love. They cope with misfortune in different ways. Leticia smiles and rumbas and refuses to be gloomy. Anita has long talks with her dead sister.

The stories are tied together by the theme of oppression and survival. The Holocaust, the destruction of villages during the Salvadoran Civil War, the Maya genocide, the Salvadoran femicide, and the plight of refugees who are denied the right to make a case for entry into the US all contribute to that theme. These are big themes, but they are explored through the lens of small stories, personal stories, one way in which fiction distinguishes itself from history.

Perhaps connection is the novel’s strongest theme. Characters are connected by family bonds, shared experiences, and employment. Three characters who are not related to each other in any meaningful way eventually live together as a family, illustrating the changing nature of what the word “family” means. Samuel’s marriage to Nadine was long but unconventional; Selena resists the white-picket-fence domestic life that her fiancé envisions and might want a different kind of family.

Characters are also connected by shared values that so many Americans have lost, including the belief that the government should not separate families. As Selena remarks, too many Americans only value white children. Beginning with slavery, keeping nonwhite families intact has never been an American priority. It is nevertheless a priority to characters who are bonded by their shared experience of forced separation from parents.

Isabel Allende gives a fullness to her characters that should be expected from literary fiction. Samuel, near the end of his life, embraces the pandemic because it allows him “to distance himself from people he didn’t like and free himself from obligations that no longer interested him.” He disguises those standoffish traits with a façade of friendliness and a reputation for eccentricity that comes with his British accent. At the same time, Samuel is a compassionate man who is moved by the experiences of Leticia and Anita, experiences of being uprooted that parallel his own.

Although key characters are victimized by villainous people — human traffickers, men who rape and kill women — the villains are collateral characters in the story. The novel focuses on positive responses to evil rather than evildoers. This is a moving story about the things that should bring us together at a time when culture warriors strive to tear us apart. The Wind Knows My Name is a truly enriching novel that probably won’t be read by the people who would most benefit from its message

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