Eléctrico W by Hervé Le Tellier
Monday, June 17, 2013 at 10:44AM 
First published in French in 2011; published in translation by Other Press on June 18, 2013
The events described in Eléctrico W take place in Lisbon over the course of nine days. Antonio Flores is a photographer living in Paris, but during his childhood in Lisbon, he raced every day to catch a funicular tram called the Eléctrico W. One morning he missed the tram but met a girl called Duck, who eventually became his lover. Their romance ended with a forced separation after Duck's father discovered she was pregnant.
Antonio tells the story of Duck to Vincent Balmer, a journalist with whom Antonio has joined forces to cover the trial of Pinheiro, the "Mad Killer of Lisbon." Vincent, the novel's narrator, has an old flame of his own, a woman he loved despite her refusal to give herself to him. Of Irene he confesses: "the memory of her terrifies me because it's everywhere in me, ready to spring up as soon as I'm alone, when all it really is is regret." Vincent is chagrined when Antonio reveals that Irene was Antonio's lover before Antonio left Paris, and is even more discomfited by the news that Irene will be visiting Antonio in Lisbon.
Motivated by a combination of jealousy and confusion, Vincent embarks on a search for the long-lost Duck. Vincent's wanderings gives Hervé Le Tellier the opportunity to paint caricatures of Lisbon's colorful residents, including a surprising woman named Manuela Freire. Vincent believes he has bad luck with women, but perhaps (as Manuela suggests) his problem is his inability to recognize and seize the moment when a woman is giving him a chance. Vincent's interaction with the novel's female characters, as well as Antonio's momentary obsession with a young woman named Aurora, allows Le Tellier to explore various aspects of love and desire.
The perfect understatement of each plot thread adds to the novel's realism. The reader eventually learns that there is more to the story of Duck. That story's completion gives Eléctrico W its final dramatic edge.
Le Tellier's elegant, atmospheric prose makes this a novel to savor. Le Tellier makes frequent reference to poets, both real and fictional, and there is a poetic sensibility to his phrasing and choice of words. One poem that Le Tellier quotes is, like Eléctrico W, about "lying and illusion and sincerity." During the nine days, Vincent idly translates the fragmentary stories written by a (fabricated) poet who has appeared as a character in some of Le Tellier's other work. Le Tellier seems to be suggesting -- through the translated vignettes, Vincent's coverage of Pinhiero, and the character of Manuela -- that the line between fiction and reality is murky at best. Vincent is drawn, he tells us, to "unfashionable authors, the ones who failed to produce a major famous work by which they'll be remembered." Eléctrico W deserves a better fate than the forgotten books that appeal to Vincent. I wouldn't classify it as a major work, but if every good novel "is good in its own way" (as Vincent opines), Eléctrico W is good in many ways.
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