The Accidentals by Guadalupe Nettel

First published in Spain in 2023; published in translation by Bloomsbury Publishing on April 29, 2025

Guadalupe Nettel is a Mexican writer best known for the novel Still Born. This is her third collection of short fiction. Most of the stories are set in Spanish-speaking countries. Characters are generally living with discontent or fear as they struggle to cope with the uncontrollable events that shape their lives and the secrets that burden their families.

My favorite entry is “Imprinting,” if only because it packs the surprise of an O. Henry story, albeit with a dark ending.  Antonia skips her college classes to accompany a friend who is visiting her sick mother in the hospital. As Antonia walks through the halls, she notices her uncle’s name on one of the doors. She has no clear memory of her uncle but knows that other family members refuse to talk about him. She drops into the room and, while growing close to him, begins to visit every day. The shocking ending allows the reader to deduce the reason why the family wants nothing to do with Frank.

A surprising revelation about family is also at the heart of “Playing with Fire.” The narrator asks herself “if I really knew these two boys who I had given birth to and raised so carefully for years.” When she goes on a camping trip with her disgruntled sons and angry husband, she learns that she doesn’t know any of them as well as she thought she did.

Another story that relies on surprise is “The Fellowship of Orphans.” An adult woman recalls her days in an orphanage, including the warnings the orphans were given about the risk of disappearing in Mexico City if they were to wander off. Walking through a park, she sees a poster with a photo of a missing man. After she spots the man, she calls the number on the poster and learns from the man’s mother that the man she saw is indeed the woman’s son. The woman says she will come to see him, but what happens next is not what the narrator expected. The story doesn’t pack the emotional punch that Nettel likely intended, but it sends a message about familial love — or the consequences of its absence.

“Life Elsewhere,” my second favorite in the collection, tells the story of a man who, after drama school, abandoned his hope for a theatrical career and settled into marriage. He disagreed with his wife about their choice of apartment — she preferred the one with better light, he liked the one in a more interesting building. His choice is rented before they can decide. He later finds that the apartment he wanted is inhabited by an actor he knew in school. Drawn to the apartment more than to his acquaintance, over the course of time and to his wife’s dismay he “began turning into just another member of the family.”

“The Pink Door” is a “be careful what you wish for” story. As is true of most such stories, it relies on something akin to magic to deliver its lesson. An aging man with a controlling wife enters what he believes to be a house of prostitution that suddenly appeared in his neighborhood. The business instead sells him sweets that change his life, making him realize that wished-for changes come with unanticipated consequences.

Three other stories are less appealing. A thousand-year-old monkey puzzle tree in a family’s yard was a source of pride until it became infected by a parasite and lost its leaves and branches. The father believed that the tree held the family together and despaired of the family’s future. “The Forest Under Earth” is built upon predictable comparisons of root systems to family connectedness, but the story goes nowhere.

“The Accidentals” compares the albatross to migrants who flee dictatorships but yearn to return home, an “accidental” being the name given to an albatross that strays from its usual migration route and ends up in an unfamiliar place, mating with an albatross it wouldn’t otherwise desire simply because it is the only available choice. Like “The Forest Under the Earth,” the author’s chosen metaphor is a bit too obvious.

“The Torpor” imagines a permanent pandemic. A couple fled from urban enforcement of social isolation restrictions to join a commune in the woods, then decided they needed the relative comfort of urban living when the woman became pregnant. The story has some imaginative touches of world building in a lasting pandemic but the woman’s vacillation between staying or leaving after returning to the city lacks an emotional punch.

Five of eight successful stories is a decent batting average for a collection. While the volume lacks a home run, it doesn’t have any strikeouts. Her sharp prose alone makes Nettel a writer worth reading.

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