Second Genesis by Donald Moffitt

First published in 1986

In Donald Moffitt's sequel to The Genesis Quest, Bram and his fellow humans are on their way to the home of Original Man, some thirty-seven million light years from the homeworld of the Nar. The humans were created by the Nar from the genetic code provided in a transmission that originated from the Milky Way. That story is told in The Genesis Quest and is summarized in chapter two of Second Genesis, a longish chapter you don't need to read if you've read and can recall the first novel. By the same token, the second chapter is so detailed that it's possible to read Second Genesis without reading The Genesis Quest first.

As they travel, the humans encounter an astronomical event that threatens the Nar worlds and the humans who remained with them. Much later, nearing the home of original man, they encounter a huge disc-shaped world, prompting an extended discussion of the engineering involved in its construction. A good chunk of the novel describes the archeological digs that enlighten the travelers about the lifestyles of Original Man. Additional adventures include contact with well-imagined insect-like aliens and confrontation of a crisis that threatens to doom the second incarnation of humankind. The novel ends with a nice symmetry that should please those who have read both novels.

The most serious problem with The Genesis Quest is its wordiness. Moffitt could have eliminated about 40 percent of the text, leaving a tightly spun story of mankind's search for its roots. Moffitt tends to get carried away with science lectures. For that reason, the narrative sometimes tends to drag, although a welcome dose of action in the last third of the novel brings the story back to life. Moffitt isn't particularly skilled at crafting sentences -- the novel has an unpolished feel -- but the writing style is an improvement over his first novel, The Jupiter Theft. As always, his human characters lack individual personalities. The novel's strength is the powerful imagination Moffitt brings to his epic view of the future, particularly with regard to evolutionary responses to extinction events. Most fans of future histories and space opera should enjoy Second Genesis.

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The Genesis Quest by Donald Moffitt

First published in 1986

Astronomers on a Nar moon receive a transmission that has traveled thirty-seven million light years. The transmission contains the genetic code for human life as well as a repository of human knowledge and culture. Using the genetic information, the Nar brew a batch of humans -- something they probably wouldn't have done had they known what a troublesome species the human race can be. A human culture has been in existence for some time as the main story begins. The novel follows the human Bram from his youth (when he dreams of traveling to Earth, the home of Original Man, an impossibility unless he can overcome the limiting speed of light or achieve immortality) through his young adulthood, when he discovers shocking information in the transmission from Earth that humans have never before seen. Other humans, convinced that the Nar are "keeping them down," plot insurrection.

The Genesis Quest is Donald Moffitt's second novel. Its story is continued in his third novel, Second Genesis. The Genesis Quest avoids many of the flaws in his first novel, The Jupiter Theft: wooden dialog, lengthy science lectures, and unnecessary politics. The political dimension in The Genesis Quest, while rather obviously drawn from isolationist strands of American politics, works well -- and is, in fact, a vital part of the plot. Moffitt's writing style is strong; his dialog is natural. There's plenty of hard science in The Genesis Quest, but it is carefully integrated into the plot and doesn't slow the novel's pace.

Plot dominates over character development. The characters have undistinguished personalities except for those (like the rebel leader) who are stereotypes. Sometimes the characters behave inexplicably -- why Bram doesn't leave the woman who consistently treats him like garbage was a mystery to me -- but that's forgivable, given that real people are also prone to inexplicable behavior. Moffitt's strength, however, lies not in the development of human characters but in the creation of aliens, and in that regard, The Genesis Quest excels. The Nar (who are sort of floral in nature) are indeed alien -- not humans with funny hair like typical television aliens or overgrown lizards like typical movie aliens. Moffitt put some serious thought into Nar physiology and culture.

Moffitt also worked at developing a credible plot, another of the novel's strengths. Although the story might be a bit longer than necessary, it moves at an appropriate pace, picking up speed in the second half as Moffitt delivers some fast action. The ending is satisfying, and sets the scene nicely for the sequel. Ultimately, while The Genesis Quest isn't a perfect novel, it's a fun one that should appeal to fans of hard sf.

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The Jupiter Theft by Donald Moffitt

First published in 1977

An object the size of a large planet moves into the solar system at nearly the speed of light. Shortly after astronomers on the moon detect the object, however, it slows and shrinks. It seems to be entering a solar orbit when it suddenly changes course and begins to orbit Jupiter. Coincidentally, a planned scientific mission to a Jovian moon has been preparing for departure. A hastily assembled military force armed with nuclear weapons joins the team of scientists on its voyage. What they discover, of course, are aliens who appear to be moving into the neighborhood. It turns out that the aliens aren't interested in being good neighbors.

The Jupiter Theft is a plot-centered story that revolves around two alien species (with another playing a minor background role), although one of the species doesn't appear until the novel is nearing its end. Moffitt devoted considerable effort to alien building and ship building but gave less attention to character building -- a common enough failing in hard sf stories. Military characters are militaristic, government officials are bureaucratic, scientists are smart, and everyone else suffers from thought deficiency. If some of the loving care devoted to the novel's science had been diverted to character development, this would be a better book. Fortunately, the central idea (revealed about halfway through the story) is creative and the plot is entertaining.

Moffitt's prose style is less than scintillating and the dialog is wooden, sometimes silly. From time to time the story gives way to a science lecture -- another common failing of hard sf novels, but fortunately not a frequent occurrence in The Jupiter Theft. Some of the storyline is all too familiar, as when an alien tells a human: "You are too puny to interfere with our purpose." There's nothing very original about puny humans encountering (and being held captive by) technologically superior aliens. Moffitt's attempt to add a political dimension to the novel by commingling Americans and devoutly socialist Chinese in the crew adds unintended humor to the story.

Nonetheless, some aspects of the story are clever, some chapters are exciting, and most of the time the novel is sufficiently fast-paced to keep the reader soldiering on despite the novel's flaws. The ending is satisfying. There's enough fun here to entertain fans of alien cultures, hard sf, and fast action.

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