The Burning Lake by Brent Ghelfi

Published by Poisoned Pen Press on May 3, 2011

The Burning Lake is the fourth in Brent Ghelfi's series of novels featuring Volk, a Russian colonel who dabbles in crime when he isn't doing assignments for "the General" or engaging in personal quests for revenge (which is one of his primary occupations). Revenge drives the plot of The Burning Lake, as Volk investigates the death of a journalist (and former lover) named Kato. Her body is found buried with those of some missing students near the site of a Russian nuclear weapons design facility. It quickly becomes evident that someone killed Kato to prevent a story from breaking. Volk's efforts to track down the story (and thus Kato's killer) take him to Las Vegas (where he reunites with Brock Matthews, a CIA agent who has appeared in each of the previous novels) and to Tijuana, where he meets a former intelligence officer named Stone who now runs a private security firm.

Ghelfi's first Volk novel (Volk's Game) remains my favorite, followed closely by the third (The Venona Cable). The Burning Lake is more tightly plotted than the second novel (Shadow of the Wolf) but fails to develop Volk's character as fully as the first three. In each novel, Volk is filled with internal anguish.  In the first two particularly, Volk questions the beliefs that drove his rather ugly past; in the third, he questions his father's loyalty to Russia. I was disappointed that the storyline in The Burning Lake is more conventional. We still see some of Volk's inner turmoil but the focus is almost entirely on external events rather than Volk's ongoing struggle to confront his past and change his present. Volk does find himself regretting actions that further harmed his troubled relationship with his girlfriend, Valya, but that storyline was less interesting than Volk's remorse over his role in the suppression of Chechen dissent (a primary focus of the first two novels).

Still, the engaging, action-filled story unfolds at a swift pace, the point of view rapidly shifting between Volk and Stone. There is considerably less of the violence and brutality that characterized the first two novels, but no Volk novel would be complete without a certain amount of bloodshed. This novel works well as a stand-alone; Ghelfi presents enough information about Volk's past to help the reader understand his history without slowing the pace with needless exposition. While The Burning Lake isn't my favorite Volk novel (and, in fact, is probably my least favorite), I enjoyed breezing through it. I recommend it to Volk fans and I recommend the series to thriller readers. If you want to understand what makes Volk such an intriguing character, however, it's best to start at the beginning and read them all.

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The Venona Cable by Brent Ghelfi

Published by Henry Holt and Co. on August 18, 2009

The Venona Cable departs from the storyline established in the first two Volk novels. Instead of battling with his past in the context of a present conflict, Volk is battling with his father's past, seeking to learn the truth about the man he never knew. When Volk's father defected to the United States, was he a traitor or a double agent working for Moscow?

Volk is dispatched to the US to learn why an American was murdered in Volk's Moscow warehouse while attempting to deliver to Volk a copy of a World War II era cable (one of the Venona cables which, if you Google the subject, will lead you to an intriguing real world story of espionage). While in the US, Volk must unravel the secret of the cable, its connection to current day spy networks (both Russian and American), and its relationship to his father. The story is therefore more in the vein of a conventional spy thriller than its predecessors. The violence in this novel is toned down a bit (although there's still a fair amount of mayhem as Volk repeatedly fights for his life), Volk's partner Valya and his boss the General play backstage roles, and American spy Brock Matthews, who turns up only collaterally in the first two novels, plays a central role in this one.

As do the first two, this novel works nicely as a thriller, maintaining a steady pace that increases to a frenzy as the novel nears its end. The Venona Cable would be an enjoyable read without having read the first two Volk novels, but you would have deeper insight into Volk's character if you read the first two before reading this one.

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Shadow of the Wolf by Brent Ghelfi

Published by Henry Holt and Co. on July 8, 2008 (also published under the title Volk's Shadow)

In Volk's Game, Brent Ghelfi created an intriguing character: an emotionally damaged Russian patriot who is filled with contradictions: a ruthless killer who feels compassion for widows and wounded veterans; a thief who dispenses charity; a man who questions his capacity for love while sacrificing himself for the sake of love. The character of Volk develops further in Shadow of the Wolf.

The story takes place six months after the conclusion of Volk's Game, and I suspect a reader would be a bit confused diving into this book without reading the first one. The complex and occasionally confusing plot pits Volk against terrorists and politicians, brings him into contact with American and Russian spies, and takes him back to Chechnya, where he lost his leg and perhaps his soul. All of this (backed by plenty of violence) would be routine stuff in thriller world except that Volk continues a path of personal growth that began in Volk's Game: he begins to question the conflict with Chechnya and the role he played in it; he starts to wonder if the man he has become is the man he wants to be. Like the first novel, the story is a fun read, but the well drawn main character is what really makes it worthwhile.

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Volk's Game by Brent Ghelfi

Publsihed by Henry Holt and Co. on June 12, 2007

Volk's Game is a fast paced thriller with an abundance of violence that would seem gratuitous were it not for the carefully drawn characters Brent Ghelfi created to drive the story. Colonel Volk lost his leg fighting Chechen separatists while his beautiful (and dangerous) young friend and lover Valya carries emotional scars from that same conflict. The backstory explains why both characters so readily resort to violence, but it is a tribute to Ghelfi's deft storytelling that, as the story unfolds (and continuing into the next book), they begin to question their own bitterness and wonder if some better life might be possible.

Volk works for "the General" in a clandestine role, while also managing his own small-scale criminal enterprise and trying to keep Maxim (a powerful crime boss) happy. Volk's current assignment involves the theft of an unknown Da Vinci masterpiece that has been hidden in an art gallery. During the course of events Volk is betrayed by nearly everyone.

Volk is a complex character: a criminal who works for himself, for other criminals and for the Russian Army (i.e., for his country, which he fiercely loves); a ruthless and (mostly) remorseless assassin who finds time to dispense charity to war veterans and their widows; a man who, despite questioning his capacity for love, displays the self-sacrifice that is love's greatest measure. The secondary characters are a bit one-dimensional and the plot, while tight, is more than a little improbable -- but improbable plot twists are standard in the thriller genre. The story's background seems to have been well researched. All told, I thought this was a fun, enjoyable read.

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