Exit by Belinda Bauer

First published in Great Britain in 2020; published by Atlantic Monthly Press on February 2, 2021

Exit is a clever murder mystery concerning a death that may or may not be a murder. The story becomes progressively darker and more amusing as other lives are placed at risk from murders that may or may not be consummated.

The story revolves around the Exiteers, a group of people, mostly older, who help the sick and dying end their lives. They don’t want to cross the line by committing murder, so they are careful to take no fatal action of their own. Instead, they advise the soon-to-be-departed of a dentist who will sell them nitrous oxide. At the appointed hour, a team of two Exiteers arrives to provide comfort as their client stops breathing air and starts breathing nitrous. The Exiteers take a copy of the person’s Will (to prove, if they ever must, that they did not benefit from the death) and remove the nitrous cannister, making it appear that the client died a natural death.

The Exiteers are managed by Geoffrey Skeet from his wheelchair. Skeet sends Felix Pink and Amanda Bell to help Charles “Skipper” Cann make his way to whatever lies beyond. The enter the house and find a wheezing man in bed. The man grasps for a mask that is connected to the nitrous but drops it. Amanda makes the foolish mistake of handing it to him, perhaps becoming culpable for his death. That turns out to be the least of their worries when they discover that the person who died from inhaling the gas was not Charles at all, but his son Albert, who apparently thought he was reaching for his oxygen mask. Charles' grandson Reggie eventually reveals that he had arranged for the Exiteers to help Charles die, leading Felix (and the reader) to wonder whether the Exiteers were set up to kill the wrong man and, if so, whether Reggie was behind it.

Horse racing and loan sharks play a role in a plot that has nearly every character worried about paying debts, including Detective Constable Calvin Bridge. Calvin plays the horses and worries that a gangster, who placed a large wager on a horse that Calvin bet on, will seek retribution if the horse loses. Calvin has other worries as well, including his fear that his bosses will discover that his family members are all criminals. His biggest fear at the moment is that he won’t solve the mystery of Albert’s death.

Exit is a comedy of errors in which unexpected plot twists assure that nothing is quite as it seems. Belinda Bauer employs the understated humor that the British have long mastered to assure the reader’s constant amusement. The police get everything wrong and the reader will likely follow in their footsteps. The story does involve culprits and a murderous scheme, but the true culprits are skillfully concealed by Bauer’s deft misdirection. As one of the police inspectors says at the end, “I did not see that coming."

A couple of unexpected romances sweeten a plot that is never in danger of souring. Its focus on Charles, a crusty codger who wants to die, is tempered by the kindness of Felix, who is 75 but still sees the value in all lives, including that of Charles. Yet the novel also suggests, with good humor and a dash of wisdom, that choosing your own time and place and way to die might be all that anyone can ask.

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The Shut Eye by Belinda Bauer

Published in Great Britian in 2015; published by Grove Press on January 12, 2016

DCI John Marvel might not live up to his name in all respects but he has an impressive ability to solve murders, thanks to hard work, determination, intuition, and attention to detail. On the other hand, even the colleagues who admire Marvel -- and there are only a handful -- agree that he is abrasive, rude, and generally unsuited to human interaction. That makes him a fun character, although a bad husband.

Marvel begins The Shut Eye by fretting about a cold case, a girl named Edie who went missing and is presumed dead. Soon he’s assigned to look for a missing dog, a project that does not make him happy.

In a closely related plotline, a boy named Danny has been missing for four months. The boy’s mother, Anna Buck, blames her husband for leaving the door unlocked and blames herself for not immediately noticing his absence. In Anna’s desperate desire to be reunited with Danny, she turns to a psychic, who made fruitless attempts to help the police recover Edie. The psychic purports to be a shut eye (a true psychic) as opposed to an open eye (a fraud) -- hence the novel’s title. Did I mention that the psychic specializes in communicating with lost dogs?

When Anna begins to have visions, Marvel isn’t sure what to believe. Anna’s mental health is shaky -- she is, in Marvel’s words, “mad as a bucket of frogs.” Can Marvel bring himself to rely on the paranormal instead of the real-world evidence that usually drives his investigations? Should the reader accept psychic phenomena at face value, or is there more to the story?

A couple of well-developed minor characters add depth to the story, including a Cambodian who fled his country to avoid shame and is living in England illegally. Also playing a significant role is a black female police officer who has been given a prominent position at the front desk so the police can show her off to the public, a decided waste of her intelligence and talent.

Belinda Bauer milks humor from the psychic and the missing dog, but also from Marvel, who suspects that his computer is being lazy when it can’t answer a question. Marvel has zero insight into why his wife is upset when he spreads autopsy photographs across the table during dinner. He’s the kind of guy who is likable in fiction even though you would dread knowing him in the real world.

Despite its undertones of humor, however, The Shut Eye is a serious crime novel. I don’t usually like stories that end as this one does -- I’m not sure it even makes sense -- but I’m giving The Shut Eye’s resolution a pass because it was, in a key respect, unexpectedly clever. I’m also recommending the novel because I enjoyed its suspense and liked the characters.

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