Now You're One of Us by Asa Nonami

First published in Japan in 1993; published in translation by Vertical on December 18, 2007

Noriko Hashimoto's reservations about marrying Kazuhito and joining the Shito household -- complete with siblings, parents, grandparents, and his great-grandmother -- are quickly dispelled by the sunny, welcoming personalities the family members display. To an unnatural degree, the family members embrace Noriko, viewing her as a "treasure" who will, in some unspoken way, be the family's salvation. Noriko is puzzled but flattered; she soon joins in the family's routines. All seems well until an old ice vendor tries to warn Noriko about the family, only to be interrupted by Noriko's mother-in-law before he can voice his concerns. When the ice vendor and his family die in an explosion, Noriko begins to suspect that the Shito family is not as perfect as it seems. A friend in whom she confides tells her: "You haven't married into money, you've married into a swamp of madness."

But what sort of madness underlies the apparent perfection of this extended family? Are they criminals? Are they deviants, living apart from the social norms that Noriko has always accepted? Noriko feels alienated, in part because she doesn't share the family's unnatural closeness (to quote an ancient issue of Mad magazine, "the family that bathes together, stays together," an apt description of the Shitos). Noriko observes an apparent sexual flirtation between siblings that concerns her, even as the family members shrug off her objections to their lifestyle. From the beginning, Noriko is subjected to a form of brainwashing designed to transform her into a true Shito. Her attempt to share her concerns with a friend only results in a new round of confusion and trouble.

For most of the novel, Noriko is stifled in her effort to understand the Shitos, as is the reader. While the reader shares Noriko's suspicions about the family's true nature, Asa Nonami keeps the family's secret well hidden. When the truth is finally revealed, however, it seems both anti-climactic and beyond improbable. Moreover, while it is easy to empathize with Noriko's plight, I found it difficult to accept that the familial brainwashing would so completely transform her belief system.

As I've found to be true with other thrillers translated from Japanese, the writing style is straightforward but uninspired. Perhaps it was the plainness of the prose that kept me from becoming engrossed in the story. More likely it was my eventual realization that Nonami was driving toward a destination that scarcely seemed worth reaching. The story of the Shito family is odd but not particularly shocking (although perhaps it was so regarded in 1993 when the novel was first published in Japan) -- not a good outcome for a novel that clearly aspired to provoke gasps. In short, Now You're One of Us tells an interesting story but fizzles out with a disappointing ending that doesn't match the promise of the novel's first half.  It is a significantly less successful novel than The Hunter, the only other novel by this popular Japanese writer that I've read.

RECOMMENDED WITH RESERVATIONS

The Hunter by Asa Nonami

 First published in Japan in 1996.  This review is of the English translation by Juliet Winters Carpenter published by Kodansha International in 2006.

 Takako Otomichi is a female cop in a man's Japan. When a murder victim dies in a fire started by an incendiary device hidden in his belt, Takako is among the detectives assigned to the case. She's partnered with a male detective sergeant who views her as an ornament. The investigation seems to be running out of steam when a second gruesome death occurs, this one apparently caused by a wild dog or a domesticated wolf. The relationship between the killings is the mystery that occupies Takako professionally. Divorced and living alone until her annoying sister shows up, Takako's personal life frustrates her as much as her job.

Takako's perseverance makes her a sympathetic character, but she is also easy to like: she's smart, she's tenacious, and she has a biting sense of humor (although, for the most part, she keeps her sarcasm to herself). She thinks of her partner as "the emperor penguin." Her partner fits the stereotype of the career cop who has sacrificed his family to his job, who drinks too much and doesn't trust women. Although most of the story is presented from Takako's point of view, we sometimes see the novel's events through her male partner's eyes. The differing perspectives offer insight into the failure of the partners to communicate -- the two characters make assumptions about each other that, left unspoken, make it impossible for them to work as a team.

The subordinate role of women in Japanese society is a recurring theme in Japanese crime fiction (it appears in Out and The Cage among other novels); in The Hunter, Takako does her best to ignore the persistent sexism she encounters, even when it hobbles her investigation. She also tries to ignore her domineering mother and hapless sister, but doing so only adds to her stress. She feels best about herself when she's riding her motorcycle. Her connection to the mysterious animal she ends up tracking (as well as her love of riding) suggests her desire for freedom, a desire that is only a dream given the relentless demands of her job and family.

Readers looking for a strong female character should enjoy The Hunter. The novel isn't a whodunit -- there isn't much in the way of clues for the reader to piece together -- but the story moves quickly and in unexpected directions. The connection between the crimes is a bit farfetched, but that's common enough in thrillers. It's interesting to compare issues of gender equality across cultural lines, but it's even more interesting to read about Takako battling the kind of personal demons that afflict people in every culture. The prose in The Hunter flows more naturally than it does in some other novels translated from Japanese that I've read. For its intriguing central character and enjoyable story, I recommend The Hunter to fans of thrillers, police procedurals, and Japanese fiction.

RECOMMENDED