The Spy Who Vanished by Alma Katsu

Published by Amazon Original Stories on July 18, 2024

The Spy Who Vanished is the name given to its three parts collectively. Each part is available individually from Amazon as part of its Original Stories series. The cover shown above belongs to the first story. Kindle users who don’t belong to Kindle Unlimited must purchase and download all three if they want to have a meaningful reading experience, as none of the three parts stand alone. Together they are a novella (and also a marketing tool for Kindle Unlimited).

Yuri Kozlov is a Russian agent. Putin assigned him to pose as a defector to gain access to the CIA. He’s supposed to report everything he learns to the Kremlin if he manages to worm secrets out of the agents who are subjecting him to a friendly interrogation. Putin is particularly eager to learn the identity of a CIA mole who is suspected of having infiltrated Russian intelligence. If not for the CIA’s track record of indiscretion, it would be difficult to swallow Yuri's almost immediate acquisition of that information,

In addition to gathering intelligence, Yuri is told to find and kill a Russian defector, Maxim Sokolov. Putin wants him eliminated because he knows something embarrassing about Putin that he apparently hasn’t revealed. There is hardly reason to fear that Sokolov will spill the beans after all these years, but Putin is paranoid. It seems unlikely that Yuri can accomplish all these tasks without being killed or captured, but Putin probably thinks that's Yuri's problem to worry about.

Yuri learns that Sokolov died in a car accident but that he married and had a daughter. Yuri’s handler conveys that intelligence, then tells Yuri that Putin wants the wife and daughter eliminated. Yuri comes to learn that Sokolov’s daughter is someone he has met, someone he likes.

Yuri is not nuanced. He doesn't do moral dilemmas. You point him at a target, he destroys it, that's his life. Yet he killed an innocent girl once and has been at least mildly haunted by it. He wonders how he will feel if he kills an innocent girl he knows. I give Alma Katsu credit for giving Yuri even this modest amount of depth.

Setting aside the improbable plot, the story works best as a psychological profile of a Russian agent who (1) feels disrespected by handlers who view him as an uneducated thug with a talent for assassination, and (2) kind of enjoys the benefits of western life, but (3) only feels at home in Russia and worries that he’ll always be looking over his shoulder for a Russian assassin if he actually defects and stays in the US. The story’s mild dramatic tension derives from that dilemma: should be stay (in the US as a defector) or should he go (back to Russia after succeeding or failing in his mission)?

While the story is nicely executed, it lacks substance and credibility. Alma Katsu’s character sketch of Yuri is convincing but the plot is not. Nor is the story sufficiently eventful or surprising to pay a strong reward to a reader who consumes all three parts. Maybe Katsu will eventually expand it into a more satisfying novel, although it’s difficult to see where else the story could go.

RECOMMENDED WITH RESERVATIONS

"Black Vault" by Alma Katsu

Published on Kindle by Amazon Original Stories on August 8, 2023

“Black Vault” is a timely spy story — a longish short story — drawn from recent congressional investigations into UFOs. The timeline alternates between 2006 and the present.

Craig Norton is a career officer in the CIA. In 2006, his career is going nowhere. Norton is arrogant and cocky but he doesn’t have the success or pedigree to back up his attitude. He’s running an unimportant asset in the Russia Division. When the asset is transferred to an assignment in Mongolia, Norton follows him. The relocation places Norton under the supervision of the China Division. The China Division harbors an institutional hatred of the Russia Division. Norton is not made to feel welcome.

Norton arranges to meet his asset at night in the middle of a field. The asset never appears, but Norton sees some strange lights in the distance moving at angles and speeds that defy physics. With some trepidation, he writes a report about what he saw because reporting anything unusual is part of his job. After all, maybe he saw an experimental Chinese aircraft.

Norton is cautioned against submitting the report by a CIA officer who reviews reports and tells agents not to say anything stupid. Norton disregards the advice. Head of Station soon complains that Norton has become a laughingstock and has tainted the rest of the office by writing a report about a UFO. Craig learns that Alvin Lee, chief of the China Division, was particularly critical of his report.

Norton’s career comes to an abrupt dead end. He’s eventually reassigned to the US, where he’s given pointless tasks to fill his time until he reaches retirement age. Norton made the mistake of bringing his wife to Mongolia. She left him as a prelude to divorce. He never really connected with his son. He used the classified nature of his work as an excuse to avoid meaningful conversations.

A few months before he’s able to retire, Norton is assigned to a new task force that was formed in response to a 60 Minutes story exposing the government’s suppression of information about UFO sightings. The task force is composed of other deadenders until Norton mentions to the Deputy Director of Operations that the task force will never accomplish anything without young agents who haven’t lost their curiosity. After suitable agents are assigned, Norton begins to learn why his initial report was buried.

Modern spy fiction tends to develop the theme of bureaucracy and professional infighting as impediments to accomplishment. As Norton digs into the aftermath of his 2006 report, he discovers that people who took his report seriously went to war with bureaucrats who thought UFOs were embarrassing. The notion that UFOs might exist, that their secrets might be investigated by Chinese rather than American scientists, was a potential career killer for anyone who scoffed at Norton in 2006. Now it’s looking like the suppression of inquiry should have been a career killer. The theme of government agents stepping all over each other to cover their mistakes by blaming others is always fun, if only because it always seems plausible.

Craig’s relationship with his son comes across as an afterthought, a way of forcing human interest into the story, but Norton benefits from careful characterization in other ways. He feels abused, overlooked, and underappreciated, to some extent with good cause.

The plot is tight, as a short story plot should be. Alma Katsu was wise to develop her concept in short form. The concept may be insufficiently substantial to carry a novel. The story eventually leads to a resolution that will be familiar to fans of spy fiction, at least after the UFOs are set aside. The mixture of fresh and familiar makes “Black Vault” an enjoyable read for fans of spy fiction and UFO conspiracies.

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Red London by Alma Katsu

Published by ‎ G.P. Putnam's Sons on March 14, 2023

Red London takes place after Putin, weakened by his fiasco in Ukraine, is replaced by Viktor Kosygin, another former KGB agent turned dictator. The richest Russian oligarch in London, Mikhail Rotenberg, has fallen into disfavor with Kosygin. Kosygin is demanding money from all the oligarchs but he seems to want everything Mikhail has. Mikhail survives when a Russian hit team invades his swanky London mansion, but the message has been sent.

In addition to Kosygin, the CIA, MI6, and parties unknown want to know where Mikhaiil's money is hidden. Lyndsay Duncan, a CIA agent starring in her second novel, is in London to run a Russian double agent (a subplot that drifts away without resolution). As long as she’s in London anyway, the CIA assigns Lyndsay to cozy up to Mikhail’s British wife Emily. Lyndsay finds it easy to infiltrate Emily’s circle of friends, as the circle is practically nonexistent. Apart from sending her to charity lunches that signal Mikhail’s standing among London’s elite, Mikhail shields his wife from the outside world. He only allows her to take their two kids on playdates where she can socialize with the judgmental wives of oligarchs. The British, including Emily’s parents, regard Russians as untrustworthy people who are ruled by “messily violent passions,” the antithesis of British Londoners who have eradicated passion from their very proper lives.

As gold diggers go, Emily is a reasonably sympathetic character. She comes from minor aristocracy. Maintaining the family estate is expensive and family wealth is dwindling. Emily knows that, unlike her siblings, she has average intelligence and no talent. If beauty is her only potential route to success, she might as well use it. Having caught Mikhail’s attention, she can’t find a practical reason to turn down a proposal from one of the world’s richest men. If he’s ruthless and a probable criminal in his business dealings, she doesn’t want to know about it. Emily might be a bit of a stereotype, but she is a stereotype with flesh. Sadly, she isn’t quite smart enough to understand that she will lose more than she will gain by bearing an oligarch’s children.

Lyndsay’s spy mission is complicated when she finds Emily keeping company with Dani Childs, a former CIA agent. Dani is working for a private company that hires former spooks. Dani also wants to get a handle on Mikhail’s wealth but she doesn’t know who hired the firm to obtain that information. Lyndsay also finds herself working with an MI6 agent who still carries a torch from the fling they had in Beirut. Those complications add spice to a modestly intriguing plot.

Lyndsay’s sympathy for Emily creates an interesting conflict between her duty to country (as her bosses see it) and her desire to help a woman who is stuck in a dangerous life. While Alma Katsu sprinkles in some gunfire as the predictable ending approaches, Red London is more a low-key spy/relationship novel than a thriller. Katsu makes token references to tradecraft but (apart from the occasional walkabout to expose tails) incorporates little into the story, depriving readers of the sense that they are reading about a field agent who has been trained at Langley rather than a bureaucrat who was told to do her best. Ultimately, the unchallenging plot and conventional ending of Red London are secondary to the relationships that give the novel its value.

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The Wehrwolf by Alma Katsu

Published by ‎ Amazon Original Stories on September 27, 2022

“The Wehrwolf” is a long short story but probably too short to be called a novella. The story is set in the German forest where the Brothers Grimm collected folklore to weave into their fairy tales. While the stories were later sanitized to appeal to the delicate sensibilities of city kids, Alma Katsu suggests that sturdy Germans of the forest were accustomed to seeing their children mauled in the woods and prepared their kids for the agony of life by terrorizing them with gruesome stories. Perhaps the Grimms unwittingly prepared Germans to accept Hitler and the Nazi Party.

Hans Sauer has returned from the front at the war’s end. Perhaps he is a deserter, although he claims he returned to protect his village from approaching allies. His return coincides with the gruesome death of a Roma in the woods, a man apparently torn apart by animals. Hans wants Uwe Fuchs to join his band of villagers in protecting the village. The Nazis have encouraged such local militias to defend the Homeland.

Uwe is uncertain about joining Hans, but he’s curious when Hans claims to have killed Russian soldiers. The bodies seem to have been attacked by animals. Uwe refuses to listen to the entreaties of his wife because he wears the pants in the family. The importance of marital equality, or maybe just "listen to your wife," might be one of the tale's intended lessons.

To be initiated into the band, Uwe is locked into a cellar with Jurgen Jäger, about whom dark stories are told. When Jurgen ties an old leather belt around his waist, he becomes a monster. A myth associates the belt with the devil, but to Uwe, it looks like an ordinary belt that might be found hanging in any barn. “A simple thing can turn you into a monster,” Uwe thinks, a thought that is presumably another of the story’s lessons. After Uwe is initiated, Hans can turn him into a werewolf simply by donning the belt.

Uwe’s disregard of his wife’s advice leads to an ending that is worthy of one of Grimm’s uncensored stories. Suffice it to say that Uwe learns and then teaches a lesson.

Like a fairy tale, the story invites the reader to draw obvious conclusions. While Uwe doesn’t want to accept the fact that he’s a monster, a reader might conclude that Uwe’s decision to join a militia to fight in support of a Nazi government is what makes him a monster. Not surprisingly, a willingness to kill Russian who are fighting Germany easily translates into a willingness to kill Germans who do not meet a standard of normalcy demanded by the werewolves. Apart from the irony of Aryan werewolves judging others for being abnormal, the story teaches another lesson: Those who give themselves the power to condemn others will inevitably misuse that power to enforce shared bigotry.

There are other lessons here about resisting the temptation of evil even if it makes us feel strong, the triumph of empathy over supremacy, and the immorality of vigilantism and unregulated militias. If this is a modern fairy tale, I’m not sure I would want a small child to read it, but it would have value for older kids and adults with weak minds who are attracted to authoritarian militias. I’m recommending it to everyone else for the polished prose.

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