Graveland by Alan Glynn
 Saturday, July 27, 2013 at 8:51AM
Saturday, July 27, 2013 at 8:51AM 
Published by Picador on May 28, 2013
The CEO of a Wall Street investment bank is shot dead while jogging.   That same bloody weekend, a hedge fund manager is killed.  Despite the  absence of supporting evidence, talking heads speculate that domestic  terrorists are targeting Wall Street.  The murders intrigue freelance  reporter Ellen Dorsey who, after hours of research, surmises who the  next victim is likely to be.  Should she go to the police with her  suspicion, or should she report the story?
Three parallel plot  threads unfold as Dorsey continues her investigation.  First, Connie  Carillo's trial (she's accused of stabbing her investment banker husband  to death) is a hot item on all the news networks.  Second, Frank  Bishop, downsized out of his career as an architect and recently  divorced, loses his mediocre replacement job at a mall just as his  daughter Lizzie goes missing.  Third, James Vaughan's health problems  convince him to step down as CEO of a private equity firm and Craig  Howley is poised to become his successor, a position that gives him  access to surprising secrets.  A related development involves the  experimental drug Vaughan is taking.  Rather than weaving in naturally  with the rest of the story, that thread initially feels like an outtake  from a bad science fiction movie that was added to the novel as an  afterthought.  Although that storyline fizzles out, the relationship  between Howley and Vaughn turns out to be the most intriguing aspect of  the novel.
Slightly past its midpoint, it seems as if the novel  should be nearly over.  Most of the stories have come together, the  reader has learned the identities of the shooters, and events appear to  reach a surprising climax. Yet the story continues, and when the final plot thread connected with the rest of the story, I was  even more surprised.
Alan Glynn writes fast-moving prose, often  employing short sentences and brief paragraphs, but with a sense of  literary style.  I'm impressed by Glynn's ability to convey the world of  finance both through the doublespeak jargon of money managers and from  the angry perspective of the working stiffs who lose their jobs and  pensions because of financial shenanigans.  Graveland reflects  justifiable anger at the greed that motivates financial managers who,  playing with money, contribute nothing of value to the economy while  diverting wealth (none of which they create) from the middle class to  their own bulging pockets.
Glynn's characters are complex yet  easy to understand.  While the plot is overly ambitious, the characters  hold the story together.  The ending is an anticlimactic disappointment  that dampens my enthusiasm for the novel as a whole, but most of  Graveland is so absorbing that I'm willing to forgive its unrealized  ambitions.
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