The Instruments of Darkness by John Connolly

Published by Atria/Emily Bestler Books on May 7, 2024

At some point in The Instruments of Darkness, Charlie Parker tells a cop that he’s read all the John Sandford novels and believes Sandford is “as good as they come.” There’s no doubt that Sandford is an excellent storyteller. He populates credible plots with strong characters and writes snappy dialog. But John Connolly is also a gifted storyteller. Plus, Connolly’s prose has a literary quality that only a handful of crime writers can match.

Colleen Clark has been charged with murdering her son. She’s hired Moxie Castin to represent her. As usual, Castin has hired Parker to look into the charges. The police don’t have a body or proof of death, but Colleen’s husband says he found a bloody blanket in the trunk of Colleen’s car. The blanket came from their house, making Colleen a prime suspect.

Colleen suffered from postpartum depression and made the kind of remarks that parents typically make about regretting her choice to have a child. Parker believes those facts merit sympathy but knows they’ll be used against her. Her husband called the police when he found the blanket and, this being an election year, a decision was made to prosecute Colleen for manslaughter — with a promised upgrade to murder if the police find evidence that Colleen intended to kill her son.

The setup might seem flimsy, but the prosecution is based on the political reality that it doesn’t look good for the death of a child to go unpunished. Charging Colleen will satisfy the perpetually outraged public and help the career of an attorney general who wants to be governor and a prosecutor who wants to be attorney general. The prosecutor assumes that jurors will ignore the absence of evidence (apart from the bloody blanket) because they will be too outraged to care about reasonable doubt. This is a cynical and entirely accurate view of how the criminal justice system works. “A child was missing and his mother was about to be dragged into the machinery of the law. It chewed people up, the innocent as well as the guilty, and called the result justice, but only a fool would accept that as true.”

Colleen tells Parker that her husband admitted to having an affair but she doesn’t believe he would have killed their son. Parker’s investigation leads to a puzzling inability to find the woman with whom Colleen’s husband had sex. How that plays into Colleen’s innocence or guilt is revealed late in the story.

Connolly usually adds a supernatural element to his stories, both because he sees Maine as a creepy place (it produced Stephen King, right?) and because the supernatural is a way of envisioning evil as a force — the kind of force that is necessary to abduct and kill a child. A key character is a medium who speaks to (or at least hears) the dead. Parker has been known to converse with his dead daughter, so he is open to the woman’s help.

Another force of evil is white supremacy and nationalism, represented here by a group of kooks who live on land that is adjacent to land owned by a family of misfits — a family that seems to be harboring or perhaps ruled by the malevolent force that the medium senses. Connolly describes one of the nationalists as “a frightened creature, fearful of change; fearful of anyone whose color, creed, or language was different from his own; and most of all, fearful of others who refused to follow his path.” That about sums it up.

Parker and his two foot soldiers, Angel and Louis, have had unfortunate encounters with the supremacists before, paving the way for more violence when Parker interferes with their plans. The trio (plus Castin) engage in darkly amusing dialog, balancing dark drama with dark humor.

The Instruments of Darkness blends a detective novel with a horror story, although Connolly downplays the horror to an extent, at least as compared to some of his other books. I prefer detectives to look for clues and, while Parker does that for much of the story, he ultimately relies on the medium to solve the mystery. Still, Connolly maintains tension and ties up every thread by the time the story ends. Charlie Parker novels are always a joy to read, if only for Parker’s guardedly optimistic view of humanity as it struggles against evil. This one is no exception.

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