The Fake by Zoe Whittall

Published by Ballantine Books on March 21, 2023

The Fake is a novel about trust, its necessity and the consequences of its abuse. More importantly, it is a novel about emotional dependence and need.

Cammie is young, beautiful, sexy, and personable. She seems to be the perfect girlfriend until Gibson (older than Cammie and out of her league) realizes that she’s a nightmare. She’s the female version of George Santos (apart from running for office). Nearly every story she tells is an effortless lie. She’s also a thief and a con artist.

Cammie claims to be in remission from kidney cancer. She claims to be grieving for Morgan, a close friend who committed suicide. She claims her sister is dead. She claims she has been living with (and is leaving) an abusive boyfriend. She claims she sang on the recording of an Arcade Fire song. All lies, but that’s not the worst of Cammie.

Gibson lives in Toronto. He is in the process of getting a divorce from Veda. Before Cammie picked him up in a bar, Gibson was devastated by the divorce and wanted to reunite. Now Veda thinks that Gibson is handling the breakup better than she is. Gibson’s change of attitude is easily attributed to receiving Cammie’s nude selfies when they aren’t in bed together.

Shelby has always suffered from anxiety. Her wife Kate was the only person who knew how to make her feel better. Shelby has been in a deep depression since Kate’s death. Shelby resists contact with Kate’s homophobic family because they “cannot handle any emotional communication that isn’t positive, let alone admit the realities of life being a near-unending nightmare.” Shelby was extraordinarily dependent on Kate and is filled with self-pity because she has no other person to take care of her. She doesn’t seem equipped to take care of herself.

Shelby decides to attend a grief group. The star of the group introduces herself as “Camilla. Chatterbox, over-sharer, main character-syndrome-having Cammie.” Shelby falls for Cammie, but only as a friend who can help her cope with her anxiety. When Cammie claims to have been unjustly fired, Shelby persuades her friend Olive to interview Cammie for a production assistant position on a reality TV dating show. Cammie provides the link between Shelby’s story and Gibson’s.

Cammie differs from Shelby in that, by virtue of her manipulation, she always has someone to take care of her. Perhaps unintentionally, the novel raises questions about dependence: Cammie is dependent by choice (it’s easier than holding a job or staying in an honest relationship); Shelby is dependent because she needs a crutch against anxiety. There is an obvious moral difference between the two women, but is there a practical difference? Sure, people who need people are the luckiest people, but in both cases extreme dependence either destroys other people or becomes self-destructive.

The story follows Gibson and Shelby as they investigate Cammie’s lies and meet some of her (mostly former) friends and family. Their efforts lead to a well-intentioned intervention, but an addiction to lying is different from drug abuse, particularly when lying might be the product of a mental illness. Whether it is possible to change Cammie’s behavior is the question addressed in the story’s closing chapters.

Perhaps a more important question is whether interventions are meant to help the intervenors as much as the person who needs help. Gibson wants Cammie to change so he can keep sleeping with her. It may be that Gibson and Shelby, who suffer because they become dependent on Cammie, need self-interventions to learn how to move forward with their lives.

The Fake might be a good choice for book clubs whose members like to dissect characters and compare them to people they know. The novel’s interesting questions practically cry out for book club discussions. While the plot is a bit thin, characterization is solid. Readers might gain insight into dependent lives (and perhaps their own lives) by investing time in this short, well-written novel.

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