Generation Ship by Michael Mammay

Published by Harper Voyager on October 17, 2023

If it is impossible to travel faster than light or to circumvent that restriction with wormholes or warp drives, generation ships will be necessary to expand humanity beyond our solar system. Unfortunately, humans don’t always play well together. Thousands of humans living on an interstellar cruise ship probably won’t last more than twenty years before their society starts to fall apart. After a century, chaos seems inevitable. Non-Stop remains my favorite example of a generation ship that has gone to ruin.

The ship in Michael Mammay’s novel has defied the odds. It has been in flight for more than two centuries. As the novel begins, it is one hundred days from its destination. The ship has maintained order with elements of authoritarian rule. Power is shared between the governor (who makes decisions based on politics) and the captain (whose job is to keep the ship safe). The ship’s charter requires everyone to work in an assigned job until  they reach the age of 75, when they have a nice birthday party before being recycled. The ship’s population is capped at 18,000. Each death permits a new birth, which must be authorized by bureaucrats.

The idea of dying before the body is ready for a natural death doesn’t bother the ship’s population until they near their destination. Continuing to kill people when the ship may soon be sending colonists to the planet seems unnecessary to those who are about to die as well as their families and friends. Protests mount.

On the other hand, it isn’t clear that colonization will occur. Every probe sent to the planet (apart from those that scout uninhabitable land masses) has malfunctioned. A probe that managed to send pictures before the connection was lost seems to have taken a picture of something with eyes. Probes flown over a desert land mass seem to show the ruins of a building. Some people believe that the ship should press on to a new destination rather than interfere with indigenous life, although conquering or killing indigenous life is pretty much the story of human history.

Each chapter focuses on a character. The key characters are Mark Rector, who works in the security force (Secfor) and believes government should rule with a fist; Jarred Pantel, the governor whose sole goal is to retain or increase his power; Sheila Jackson, a scientist who opposes the governor’s plan to start colonization before they have more data about the planet; Eddie Dannon, a coder and hacker who develops a way to jack her mind into the ship’s software; and George Iannou, a reluctant protest leader whose loyalties are unclear.

The plot noodles around for way too many words, wrapping around familiar concepts that include first contact, the development of digital sentience, and the Gaia hypothesis. Most of the story, however, consists of passengers on the ship arguing with each other. It takes far too long for passengers to make their way to the planet and solve its mysteries. Once they finally arrive on the planet, they take their shipboard arguments with them. The ensuing events seem secondary to the quarrels that are the novel’s true plot. I suppose it might be fair to say that political revolution within a confined spaceship is the true plot, but this isn’t the kind of meaningful revolution we got from Heinlein, who had grumpy but determined men using catapaults to chuck moon rocks at the Earth. Mammay's is a revolution reminiscent of the January 6 insurrection, where aimless people wandered around and made noise.

Mammay’s prose is adequate, although his style is wordy and prone to lazy clichés (“it hurt like nobody’s business”). A good third of the novel could have been cut without harming the plot or character development. The essential parts of the novel relate a story that has some interesting moments, but not enough to stand as riveting fiction. As a fan of generation ship novels, I was disappointed.

RECOMMENDED WITH RESERVATIONS