The Last Thing to Burn by Will Dean

Published by Atria/Emily Bestler Books on April 20, 2021

Frank Tussock is a farmer in rural England. He is holding captive an undocumented Vietnamese immigrant named Thanh Dao. Frank broke Thanh’s ankle to keep her hobbled. Whenever Thanh tries to escape, Frank burns one of her possessions, stealing everything from Thanh that helps her remember her identity. Among Thanh’s last possessions are letters from her sister, another undocumented immigrant who took up residence elsewhere in England. Frank uses Thanh’s sister against her, promising that the sister will be deported if Thanh kills him or escapes.

Frank uses Thanh as a servant and as a sexual slave. He expects Thanh to prepare meals as is mother did, to wear his mother’s bra, to use his mother’s rags in lieu of sanitary napkins. Frank has serious mommy issues. When Thanh becomes pregnant seven years into her captivity, Frank seems moderately happy, perhaps envisioning a future servant. But he doesn’t want to have sex with Thanh while she’s leaking milk (he was equally fastidious about her period before she got pregnant), so he takes another woman captive. Cynthia Townsend dropped by on a couple of occasions to inquire about buying some of Frank’s land before he captured her. Frank holds Cynthia in the basement and presumably uses her as a sexual substitute for Thanh, although none of those scenes are explicit.

The Last Thing to Burn tells a simple story, perhaps a bit too simple given that it has only three characters until a fourth makes a brief appearance near the end. I didn’t entirely buy Frank’s decision to risk kidnapping Cynthia, particularly after learning late in the novel that Thanh wasn’t Frank’s only sexual option. Nor did I entirely buy Thanh’s decision not to tell Cynthia that she was being held captive when she first had the chance, before Cynthia also became a prisoner. Finally, I didn’t regard Cynthia’s strength at the novel’s end to be plausible after behind held in a dank basement and subsisting on scraps.

Still, the story is chilling. Will Dean uses Thanh’s first-person narration to place the reader inside her head. Her fear and hopelessness, eventually replaced by fear and determination, seem perfectly authentic.

Frank’s accent, speech pattern, and ill-educated vocabulary add to the illusion that the story is real. Frank is one of the creepiest characters I’ve recently encountered, but his creepiness seems perfectly consistent with his upbringing and rural isolation. Dean’s prose develops the plot with understated power. An epilog is perhaps too optimistic — the promise of quick healing is a bit hard to swallow — but as a horror story of evil endured and defeated, The Last Thing to Burn is largely a success.

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