Better Off Dead by Lee Child and Andrew Chlid

Published by Delacorte Press on October 26, 2021

Despite their formulaic nature in recent years, I’m generally a fan of Reacher novels, in part because the formula is a good one, in part because of Lee Child’s spare writing style. The formula is to have Reacher walking down a road, stumble into a dangerous situation, make a reluctant decision to help the endangered, and fight his way through adversity as he subdues dangerous thugs and saves the day. Better Off Dead follows the formula but it lacks the tension and the style that keeps me coming back to Reacher.

In a slight departure from the formula, the story begins with Reacher lying dead on a morgue table. Readers know that Reacher is indestructible of necessity; killing him would end Lee Child’s income stream.

A few quick flashback chapters get back to the formula. As Reacher walks down a road, he spots a woman in a crashed car. She pulls a gun on him when he tries to help. Satisfied that Reacher isn’t one of the bad guys for whom she set a trap, the woman (Michaela, a/k/a Mickey) resets the trap and acquits herself handily, despite having a prosthetic foot. Reacher gets her to explain her problem, which involves the capture and possible murder of her twin brother, then reluctantly agrees to help her go after the bad guys. Part of helping her includes the opening scene in the morgue.

Dendoncker is the first of two bad guys. He seems to be manufacturing bombs. Maybe they are smoke bombs. Maybe they will release a poisonous gas. Michael was either willingly or unwillingly helping Dendoncker make the devices. I didn’t care much about Michael's fate because Mickey is such a one-dimensional character that her woes about her brother left me unmoved.

The second bad guy is named Khalil, although he exists more as a name than as a character. Whether he is working with Dendoncker or working at cross-purposes is a question that isn’t set up sufficiently to whet the reader’s interest in the answer. The eventual explanation of their relationship is strained and uninteresting.

The plot goes off the rails in the second half when Dendoncker decides to enlist Reacher in his evil scheme. The smart move, easily accomplished, would be to kill Reacher, but that would end Lee Child's income stream, so the villain can't behave intelligently. It’s not like Dendoncker has a shortage of lackeys to do his bidding. Instead, he has Reacher deliver one of his devices while holding Mickey hostage. The outcome is easy to predict.

The nature and purpose of Dendoncker’s device wasn’t made clear until after I stopped caring. Unfortunately, its purpose is the only clever and unexpected part of the story. The rest of the novel consists of Reacher hitting people. That’s fine, it’s what Reacher does, but the fight scenes in Better Off Dead lack pizzazz. At least Reacher didn’t hit someone in the throat (the current go-to move in tough guy thrillers), although he thought about it.

Lee Child is known for a crisp writing style that emphasizes short, punchy sentences. His style makes for easy and rapid reading, which probably contributes to his popularity. At the same time, he balances fragmented sentences with longer, more elegantly constructed passages. He creates a rhythm. This novel emphasizes the punch and minimizes the rhythm. I don’t know if that’s because Lee had less input into the writing style than his brother Andrew, but the style differs from other Reacher novels. I’m not used to seeing pointless sentences like “That was for sure” and “That was for damn sure” in a Reacher novel. The writing style feels like an attempt to copy Lee Child rather than authentic Lee Child. Enough Lee Child bleeds through the narrative to make the novel worth acquiring for Reacher completists, but readers looking for Lee Child at his best might to give this one a pass.

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