Spook Street by Mick Herron

Published by Soho Press on February 21, 2017

Mick Herron’s Slough House books are among the most entertaining spy novels of the current century. Slough House is home to members of the British Secret Service who are considered unworthy of employment but who, for whatever reason, cannot be fired. Under the deceptively watchful eye of Jackson Lamb, the “slow horses” at Slough House manage to prevail, more or less, in their fight against England’s enemies, or its friends, depending on the circumstances. Spook Street is the fourth novel in the series.

Spook Street opens with stage setting, reintroducing familiar characters and their problems, which variously include a gambling addiction, alcoholism, anger management issues, and troubled relationships. A new character, J.K. Coe, is clearly somewhere on the autism spectrum and probably high on the psychopathy scale. A terrorist bombing occurs in the background but doesn’t seem immediately connected to the plot.

The plot’s immediate concern is River Cartwright, whose grandfather, a legendary spy who raised River, is becoming lost to dementia. River’s grandfather is increasingly paranoid and apparently living in the past, certain he’s being followed by an enemy. Lost in his fantasy, when River comes to his home and draws him a bath, the old man seems determined to kill his grandson.

That plot eventually sends a capable killer to Slough House while Lamb is off buying whiskey, leaving nobody tending the shop who has the skills to fight an armed assassin. Before that happens, a slow horse does some actual spying, traveling undercover to France and learning about a black ops training site that was apparently responsible for the attempt on the life of River’s grandfather and for the assassin who invades Slough House. The purpose for the site remains a mystery until the novel’s end, one of a few mysteries that occupy the reader as the story gathers steam.

Like the other novels in the series, Spook Street integrates humor, action, and unexpected moments of drama. The first third is a mix of wit, farce, and slapstick before a more serious story begins to unfold.

It seems unwise to pick a favorite character in this series because the character might not survive until the end of the story. But live or die, the characters all have the kind of quirky personalities and idiosyncrasies that invite empathy. They are not necessarily a likeable bunch — they tend to have love-hate relationships with each other — but they are fundamentally decent and, on occasion, surprisingly competent. Particularly Lamb, whose competence is never in question, but whose Machiavellian nature asserts itself in the interest of a good cause at the novel’s end. Above all, having been a joe for much of his life, Lamb takes care of his joes. “And one thing joes learn quickly is that those who write the rules rarely suffer their weight.”

Mick Herron stitches this all together with fine prose, deadpan humor, and sympathetic insight into the emotions of third string players. Spook Street maintains the high level of a series that offers a unique and welcome take on the British spy novel.

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