High Treason by Sean McFate

Published by William Morrow on June 9, 2020

I was reluctant to read High Treason because novels that feature the word Treason, Traitor, or Patriot in the title are usually pretty bad. I should have trusted my instincts. This is the third in a series of thrillers featuring Tom Locke. I didn’t read the first two but I don’t have the sense that I missed much.

One of the two cartoon villains in this novel is the president’s national security advisor, a lump named Jackson who thinks the president is a wimp and agrees to have him assassinated. Jackson’s goal is to “galvanize and harden” the American public so they will unite against national security threats, even if those threats must be fabricated to accomplish the goal. The improbable means of accomplishing the assassination is designed to lay the blame on Middle Eastern terrorists, but the assassins mistakenly take out the VP.

The assassins are supplied by the other cartoon villain, a snarly old man named Winters who made me picture Smithers of Simpsons fame. Winters was running a private firm of mercenaries called Apollo Outcomes before he supposedly met an unfortunate end that was arranged by the hero, Tom Locke. Winter’s demise, which apparently occurred in an earlier Locke novel, was greatly exaggerated. Winters is back from the dead and masterminding the scheme to kill the president, although he is doing so on behalf of a secret cabal. Naturally, some nuclear weapons are shipped into the United States along the way.

Locke is cartoonish himself, in the tradition of thriller superheroes. Pundits and Homeland Security are immediately convinced that the assassination is the work of ISIS, but Locke, having watched 30 seconds of footage on cable news, knows that the bridge was blown up by Apollo Outcomes because he used to be one of their mercenaries and he is certain that Apollo Outcomes is the only outfit that has ever had the idea to blow up a bridge. This being Thrillerworld, Locke is immediately convinced that only he can stop this grave new threat to American freedom and democracy. Naturally, he can’t go through normal channels because he is on the run due to his heroic deeds in earlier books.

Apart from his superhuman ability to base firm conclusions on no real evidence, Locke seems to be invulnerable. He miraculously survives mayhem — he is the lone survivor to occupy a vehicle that is hit by a Hellfire missile — only because miraculous survival is necessary to keep the book from coming to a premature end. While Locke does all the usual tough guy stuff, he tends to be more reliant on advanced weaponry than fisticuffs, at least when he isn’t fighting Winters, whose gimpy leg and advanced age give Locke a rather unfair advantage. Not that Locke cares, because he adheres to the tough guy bromide that if you fight fair you aren’t trying hard enough.

Locke is eventually joined by an FBI agent named Jennifer Lin, who — unlike the superiors who refused to consider her opinions — is convinced that the assassination attempt was the work of Russian agents. Her pursuit of her theories makes her a renegade outlaw who is hunted by her agency. Before meeting Locke, she gets herself captured by bad guys and fights her way free because all thriller superheroes are masters of whatever martial arts technique the author decides they should possess. Not to be outdone, Locke also gets himself captured and fights his way free. Action notwithstanding, I tried in vain to suppress yawns while zipping through the predictable story.

Readers won’t encounter anything new in High Treason, a novel that is derivative from the first scene to the last. Lin’s decision to place her career at risk by disregarding orders and going rogue to pursue her own investigation is a staple of thrillers. The key events are driven by one of those ancient conspiratorial organizations that thriller writers love. This one is called The Order and it dates back to the 1300s, which is a long time to keep secrets. A HALO descent onto a Manhattan rooftop is straight out of the last Mission Impossible movie. Nuclear bombs planted in three American cities is such an overused threat that it has become tiresome. The virile hero and the rogue heroine fight each other to a draw before lust overcomes their animosity, after which the hard-fighting woman “giggles” and “coos” when she’s in the arms of her man. I failed to detect an original scene in the entire novel.

Locke is the kind of thriller hero who is always applauding himself for how brave he is, reciting macho slogans like “Who dares wins” and making sure the reader understands that he’s no sissy. One-dimensional characters are common in thrillers but Locke barely manages even a single dimension. Jackson and Winters are just as bad as Locke. The two villains waste boring pages pontificating at each other while griping about what a supreme adversary they have in Locke.

Sean McFate treats his audience as a bunch of illiterates, smugly explaining, at least twice, the meaning of “wilco” as if the term is understood only by elite soldiers. McFate’s clunky prose style is pulp fiction at its worst (after Locke sets an adversary on fire, McFate tells us that “the shrieks were gruesome”). The dialog is silly. A sample of Locke’s grand pronouncements: “Apollo must be stopped.” “I have returned to render justice.” “I condemn you to death for high treason.” I condemned myself to finish the novel, which at least has the virtue of moving quickly, primarily because it is long on action and short on substance.

High Treason might appeal to fans of tech-driven military thrillers who care about the tech more than original plotting, believable characters, or polished prose. For anyone else, there are better choices.

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