Jack by Connie Willis

First published in 1991; published by Subterranean Press on April 30, 2020

Nominated for both a Hugo and a Nebula, Jack is a novella by the incomparable Connie Willis that Subterranean Press has reissued in a signed, limited edition. It is one of many stories that Willis set in London during the Blitz. Some of those are time travel stories, but Jack is more a work of horror than science fiction. The Blitz is the novel’s true horror; nothing a lone man could do can compare to the carnage of war. Willis has a knack for conveying the terror of being present at a time when falling bombs and crumbling buildings caused indiscriminate death.

The narrator is named Jack. He works as an air-raid warden, helping rescue people who are buried under the rubble after the bombs fall. Jack tells us about another man named Jack who has recently come down from Yorkshire to do the same work. Jack Settle is particularly adept at finding people who are trapped. Another person in a different ward with the same talent is called a “bodysniffer” and claims the ability to read the minds of the people who are trapped.

So can Jack Settle read minds? Can he distinguish the scent of the living from the dead? Is his hearing exceptionally acute? Narrator Jack begins to understand how Jack Settle finds so many bodies, why he refuses to eat or drink, and why he disappears (supposedly to go to his day job) before the sun rises.

Jack Settle’s quirks will suggest an obvious explanation to fans of horror novels. Jack the narrator comes to that conclusion and regards Jack Settle as a monster. Maybe he is, but how should the reader balance Jack Settle’s nature against all the lives he saves? Is Jack really such a bad guy when compared to the men on both sides of the war who drop bombs that set cities on fire and tear children to pieces? Is he worse than the shopkeepers who keep young women working until closing time, even after the air raid sirens blow, forcing them to run through the blackout in the hope of finding shelter? People do what their natures compel them to do; whether that makes them monsters is a matter of perspective.

Willis gives life to a half dozen characters besides the Jacks, the names of whom will be familiar to readers of a famous horror novel. They are ordinary people whose ordinary lives are disturbed by the extraordinary forces of history. The characters are transformed by their experiences, in ways both big and small — a wallflower gains self-confidence, a man who always wanted to write produces a newsletter, a delinquent makes his father proud by earning a medal in the RAF. Even Jack Settle is transformed, because he finally has an opportunity to use his nature for a worthwhile purpose. As always, Willis takes a deep and meaningful look at what it means to be human, even when she writes about a character who might not be.

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