Providence by Max Barry

Published by G.P. Putnam's Sons on March 31, 2020

Mashing together themes are that are common in science fiction, Max Barry crafts a fun and interesting story in Providence. The themes include the danger of allowing Artificial Intelligence to supplant humans in making important decisions, the risk of corporate officers becoming indistinguishable from military officers, and the likelihood that the military industrial complex will manipulate public opinion so it can fight a profitable war.

The war is being waged with aliens who look like (and are therefore referred to as) salamanders. Salamanders have the ability to expel a force from their mouths that blows a hole through just about anything. The first human explorers to encounter salamanders tried to communicate with them, but ended up with holes in their bodies and ship. Hence the war.

Humans decided to take it to the salamanders, devoting more than 20% of their GDP to the production of weapons and ships. After humans were defeated in battle, the company that manufactures the AI that runs the ships’ systems blamed the humans for not recognizing the threat quickly enough. The blame could just as easily have been placed on the AI, but that wouldn’t have been profitable.

The new Providence class of ships is controlled entirely by AI. Humans are along for the ride, primarily to make propaganda videos showing their success at destroying salamanders. Propaganda is also designed to convince the public that salamanders hate humans, when in fact humans have no clue about what motivates a salamander. Nor are humans likely to learn, since their goal is to eradicate salamanders as a species.

Four characters are on a ship that is the novel’s focus. Jolene Jackson was the lone survivor of the defeat that sparked the decision to put AIs in charge of the war. She reluctantly agreed to become the ship’s captain, although the job gives her little to do beyond trying to make the crew appear to have discipline. Isiah Gilligan (“Gilley”) is a civilian who works for the company that made the ship and its AI. Gilly is in charge of maintaining the ship’s systems, but since the ship maintains itself, he spends his time trying to solve puzzles, including the nature of the enemy. Gilly is driven by curiosity.

Paul Anders is a claustrophobic loner who doesn’t respond well to authority. He is in charge of weapons, but since the ship decides for itself which weapons it will fire, Anders spends most of his time throwing ninja stars at Gilley. Talia Beanfield is essentially a psychologist who is charged with promoting the crew’s mental welfare, but her primary function is to assure that the crew produces upbeat propaganda films that viewers will appreciate.

In the tradition of science fiction novels, characters confront their fears, make sacrifices, puzzle out solutions, and persevere. Unlike traditional science fiction, however, Providence avoids a predictable ending, the kind where a few brave humans outsmart and outfight vast numbers of aliens. Instead, Providence reminds us that any aliens we eventually encounter are likely to be truly alien, so different from us that we won’t be able to understand them. Well, except for the curious among us, who might eventually work out the truth by making intuitive leaps that would escape an AI. In this case, the truth is a perfect blend of awesome and awful.

Max Barry tells much of the story in a light tone, finding humor in human foibles. As the humans come to grips with their true role on the ship — giving Earth something to cheer about so they won’t gripe so much about the cost of a seemingly futile war — they begin to bond with each other. Like all good fiction, the story is more about relationships than destroying aliens. Some of the novel come across as filler, but for the most part, Barry creates action and suspense that keep the plot in motion, while generating genuine excitement near the novel’s end.

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