Into the Fire by Gregg Hurwitz

Published by Minotaur Books on January 28, 2020

The Orphan X series has evolved into an enjoyable interpretation of the tough-guy action thriller. The series began by combining two unoriginal premises. The first positioned the protagonist, Evan Smoak, as a hero in the Jason Bourne mold: trained from an early age to be a deadly force in the service of a shadowy program. The second had Smoak giving away his services to victims who find themselves in threatening situations, in the manner of the Equalizer and other vigilante heroes. Two eye-rolling premises is at least one too many.

Thankfully, Gregg Hurwitz laid the Bourne premise to rest, at least as a plot-driver. Smoak extracted himself from the clutches of his would-be masters in Out of the Dark, putting an apparent end to Smoak’s concerns about being assassinated by the conspiratorial forces of evil that created him.

What used to be a subplot — helping the unfortunate by smiting their oppressors — turns into the main plot in Into the Fire. The series benefits from the new focus.

The story begins with a fellow named Terzian (a/k/a “the Terror”) bringing Grant Meriwether to the hospital for treatment after torturing him. He resumes the torture after killing the doctor who patches Grant up. Terzian wants a name from Grant, which he finally gets: Max Meriwether, Grant’s cousin. In an effort to avoid the same fate as Grant, Max contacts Smoak, who goes by the name The Nowhere Man.

While Smoak started the series as a fairly standard action hero (the kind of tough guy who isn’t known for depth), he has become a contemplative, self-questioning tough guy, giving him a more interesting personality than someone like Reacher, who has never had a moment of self-doubt in his life. Smoak became the Nowhere Man to seek something like redemption, an “imperfect word” to describe his need to confront the world “with his own code, illuminating the darkness with the guttering light of his own morality,” a process of becoming “less sharp. More human.” To that end, he is thinking that helping Max might be his last mission.

Smoak is attracted to a neighbor named Mia, although she is appalled when she learns just how much violence he exercises to solve the problems he confronts. Mia is a law-and-order prosecutor, but she becomes more forgiving of Evan after he does her a violent solid involving her endangered son.

The attention that Hurwitz gives to characterization does not shortchange the action. The story moves crisply as Smoak unravels the mess that Max inherited from Grant. After stumbling upon the corpse of a journalist who had been communicating with Grant, Max gives Smoak an envelope that contains an object the Terror would like to retrieve. Smoak successively battles Terzian’s thugs, a dogfighting ring, Terzian’s boss, a couple of bent cops, and the top boss, who is safely imprisoned and not easily killable. Each time Smoak solves one problem (violently), another pops up. Along the way, he sustains a concussion, and then another, creating the practical problem of which bad guy to shoot when he’s seeing double.

Smoak’s young hacker friend (and former Orphan) Joey Morales adds some youthful snark to the story, while a dog rescued from the dogfights softens the characters of both Smoak and Joey. I always say that the addition of a dog makes every story better. Of the various ways to manipulate readers into caring about characters, portraying a character as a dog lover is the best.

Will Smoak give up being the Nowhere Man and retire to a life that doesn’t require him to kill people every day? It looks that way until Smoak gets a startling call in the last chapter. I assume that means the series will continue. In my judgment, that’s a good thing.

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