Trojan by Alan McDermott

Published by Thomas & Mercer on January 12, 2017

Trojan reads like a police procedural, although the police are a mix of British intelligence agents, anti-terrorist military specialists, and occasional freelance assistants. Torture, for instance, is subcontracted so that Her Majesty’s government can pretend its hands are clean.

An asset with the code name Hannibal has infiltrated Saif al-Islam in Syria. He learns that Saif al-Islam has a chemical toxin that it plans to unleash on the British but, despite Hannibal’s best efforts, the Brits don’t know what it is or where it will be deployed.

The primary good guys are Andrew Harvey and his lover and co-worker, Sarah Thompson. They play a limited role in the opening chapters, as Alan McDermott develops the plot with a primary focus on the terrorist plan and the desperate efforts of British intelligence to get a handle on it. The plot involves several women and their babies who, posing as refugees, transport the toxin. The only one of those who benefits from any character development is Malika Ali.

About a third of the novel has gone by before Andrew and Sarah, as well as their colleagues, play a more active role in the plot. They are thinkers rather than action heroes. Trojan offers a pleasant alternative to all the thrillers a follow a team of former Special Forces heroes as they chase down terrorists, taking occasional breaks to give the reader loving descriptions of their weapons. It’s refreshing to read a novel about a terrorist threat in which the heroes are driven by intelligent thought rather than testosterone. It’s also refreshing to read a thriller that recognizes a distinction between Muslim terrorists and Muslims who condemn terrorism.

Andrew and Sarah engage in the tedious task of winnowing intelligence from cameras and records, but McDermott describes their efforts without subjecting the reader to the same tedium. Trojan contains an occasional action scene, but most of the story involves a battle of wits as terrorists use various schemes in an effort to evade police surveillance.

McDermott also describes the political infighting that inevitably arises when people charged with protecting a nation’s security care more about career advancement than working together to stifle a threat. That theme is often used to give the reader a chance to cheer for the selfless good guys as they battle the self-serving bureaucrats, but McDermott recognizes that even selfless good guys want credit (and career advancement) for doing a good job.

A bit of melodrama in the relationship between Andrew and Sarah is too obvious to add anything interesting to the story. Fortunately, the story maintains interest in other ways. Tension elevates steadily as the good guys chase down leads, exhausting possibilities and themselves while laboring to find the deadly toxin before it’s released. The plot isn’t innovative and the ending is predictable — perhaps even a bit anticlimactic — but the story is grounded in realistic scenes as intelligence agents move step by step toward a solution to the crisis. Trojan is a good fit for readers who like thrillers about real people doing believable work, rather than superheroes who perform impossible feats.

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