The Mulberry Bush by Charles McCarry

Published by Grove Atlantic/Mysterious Press on October 27, 2015

The early chapters of The Mulberry Bush are the story of an estranged father and son, told from the son’s perspective. The father was at one time a capable spy who angered (or embarrassed) the wrong people at Headquarters. When father and son reunite, the aftermath of their meeting gives the son a new purpose in life -- vengeance.

So begins the unnamed protagonist’s life as a spy, a career that he fashions on his own terms. Eventually he falls in love with Luz Aguilar, whose revolutionary/terrorist parents were killed by the police in Argentina. The protagonist believes that Luz can lead him to the Russians who control the Argentinians, but he also wants her help to pursue an agenda of his own.

The protagonist jets from Buenos Aires to Bogotá to Bucharest, playing the espionage game in his own way and aggravating his masters in the best tradition of spy fiction. Key characters include the protagonist’s stuffy superiors at Headquarters, a couple of Russians who may or may not want to betray their country’s secrets, a priest who once lived in Russia, and a surgeon who was close to Luz’ father and who is now Luz’ friend/protector. All of these characters have secrets that the protagonist must ferret out if he is to survive.

Many of the usual espionage plot threads are present in The Mulberry Bush. Are the apparent traitors really traitors or are they double agents? Are agents accused of being traitors because they really are or because the other side wants to destroy them with the weapon of suspicion? Is there a mole at Headquarters? Was Luz’ father working for the Russians, for Headquarters, or only for himself? The reader’s challenge is to work out what’s going on with the Russians, the Argentinians, and the Americans while getting a handle on just where the protagonist is headed.

Tension builds slowly and steadily as the story nears its climax. Charles McCarry isn’t a writer who needs to use artificial means (like the single-sentence paragraphs and two page chapters favored by many modern thriller writers) to move the story at a good pace. He writes vivid prose and creates complex, convincing, multifaceted characters. My only two complaints are that (1) the protagonist’s initial goal is clear but his plan for achieving it is ill-defined, leaving me wondering what he really hoped to achieve, and (2) the two Russians each disappear from the story in a way that left me unsatisfied. In the end, those qualms are minor. There was more than enough intrigue in The Mulberry Bush to ensure my rapt attention, and the plot twists kept me off-balance, as a spy novel should.

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