The Sisters by Robert Littell

First published in 1986

The Sisters is one of the best of Robert Littell's novels, and the best of the four fictional accounts of a certain real world event I've read. The plot is byzantine without being confusing; the complexity is lovely and the pace at which events unfold is perfect. Unlike some of Littell's earlier works, the characters on display in The Sisters are fully realized.  A synopsis would spoil the fun, so my description of the novel's contents will be brief.

The sisters Dark and Night (a line from a Whitman poem) are two odd duck CIA agents whose job is to plot.  They are wonderfully quirky and so Machiavellian by nature the CIA seems a perfect place for them to roost.  They’ve cooked up a conspiracy they believe to be authorized, albeit silently, by the CIA Director, and they keep it to themselves when they set it in motion.  Figuring out who is working for whom (and who is betraying whom) is the novel's challenge, but the novel is worth reading for its characters, not just its intrigue.  The story's portrayal of the political workings of the CIA (which might as well be the CYA) seem perfectly credible; in any event, it's a fun addition. A satisfying display of karma at the novel's end left me grinning.

The Sisters is a masterful work, a treat not just for fans of espionage novels but for any reader who enjoys good writing.

HIGHLY RECOMMENDED

The Postman by David Brin

First published in 1985

In a post-apocalyptic future, Gordon Krantz is something of a nomad, drifting from village to village, acting out one-man plays in exchange for food and shelter.  While evading bandits he stumbles upon an old postal truck.  Krantz takes the dead letter carrier's uniform and, helping himself to the mailbag, begins playing a new role:  that of a postman dispatched by the reconstituted government to reestablish delivery routes.  There is no new government but villagers fighting for survival and fending off tribes of marauders are desperate to believe him.  The question is whether Krantz will live up to the illusion he's invented.

I'm a fan of post-apocalyptic fiction in general, but I approached this novel with the thought that it might not live up to its hype. I was mistaken. Brin created a credible future world, and the concept of a survivor feeling compelled to deliver the mail (even if he stumbled onto the idea for reasons that were far from altruistic) is brilliant: mail delivery becomes not only a means of stitching together a torn nation, but a powerful symbol of national unity and pride. Gordon Krantz, the main character, is more than a bit torn himself, a man of less than heroic stature who, by the novel's end, has grown into not just a hero, but an icon of heroism. Krantz is a fully developed character (a rarity in sf), and his personal transformation is inspiring. The supporting characters are also solid and purposeful. The Postman is a strongly plotted, well written novel, in many ways better than another, more celebrated version of a post-apocalyptic future:  The Road.

HIGHLY RECOMMENDED 

The Gift of Stones by Jim Crace

First published in 1988

The Gift of Stones tells a story that works on both a micro and a macro level.  It is the story of civilization making the transition from the Stone Age to the Bronze Age as seen from the perspective of a few individuals living in a small village of stoneworkers.  The villagers are skilled craftsmen; they live comparatively well, trading carefully-fashioning tools and arrowheads for food and other goods furnished by farmers and hunters.  They don't know that their way of living is coming to an end.

When a horseman shoots a boy with an arrow, causing the boy to lose his arm, he cannot work as a stoneworker and so becomes a storyteller.  His stories are inspired by what he has seen a day’s walk from the village, including a woman and daughter who live by the sea.  The woman whores herself and lives meagerly until the spring when geese arrive and provide a feast of eggs and goose meat.  The boy takes an interest in them that they don't entirely welcome.  When events force them to choose between moving or starving, however, the woman and daughter accompany the boy to the village.  Having no skills, their lives continues to be difficult despite the help the boy tries to provide.  As a storyteller, he represents the conscience of the village, but most of the villagers have little use for a conscience.

Late in the novel, a tragedy occurs that involves a bronze arrowhead.  The arrowhead heralds the coming of the Bronze Age and the end of village life -- the villagers recognize that bronze is superior to stone and that their skills will no longer serve them.  The storyteller is the only villager whose career cannot be supplanted by new discoveries or technologies:  he continues to act as a guide for those who are willing to listen.

The Gift of Stones is a parable, a lesson in the enduring role of the artist in a society that inevitably changes.  The novel can also be read as a comment on the natural bonding of societies (in this case, the village of craftsmen) and their intolerance of outsiders.   But The Gift of Stones is also a moving story of individuals confronting forces that they are powerless to affect.  Crace's elegant prose reminds us of what it is to be human, even in the context of the distant past. The story is simple but powerful and Crace tells it so gracefully that the novel is a joy to read.

HIGHLY RECOMMENDED