Published by Mariner Books on February 6, 2024
One pleasure of reading lies in the vicarious opportunity to live a different life, if only for a few hours. One pleasure of reading Paul Theroux is that he transports the reader to unfamiliar places, to lives unlike our own. Burma Sahib takes the reader into the life of young Eric Blair as a supervising officer in the Indian Imperial Police in Burma during the 1920s, before Blair began to publish novels under the name George Orwell.
Blair hates the nickname “Lofty,” a reference to his height. He attended Eton, suffered the beatings by faculty and older boys, passed up the usual path of an Oxford education and a life of privilege, and is now taking a probationary position as assistant district superintendent of police in Burma. At the age of 19 (he will turn 20 in 1923), Blair has accepted a three-year contract and will need to repay the cost of his passage (and incur his father’s wrath) if he quits. The novel’s initial chapters begin with Blair’s travel on a ship that is sailing to Mandalay and follow him to his first posting.
Great Britain is administering Burma as a colony, taking its resources and offering a dubious path to “civilization” in return. The constables Blair supervises are Burmese and Indian. Natives automatically refer to Blair as Sahib, but he is expected to become a Pukka Sahib, a title that suggests both authority and an exemplar of gentlemanly behavior. Unfortunately, most Pukka Sahibs are gentlemanly only toward other white Europeans. They belittle, berate, and beat Burmese and Indians without giving their ungentlemanly behavior a second thought.
The novel follows Blair through various postings in Burma, most of which don’t end well. He has unfortunate encounters with a rogue elephant (Blair is too violent in the opinion of his superior) and with a crazy man (Blair is not violent enough). To his colonial bosses, elephants are more important than Asians because elephants help the timber industry make money and are less easily replaced than native workers.
Blair was raised to believe in the correctness of British colonialism and in the superiority of white men, the British foremost among them. His views are both reinforced and challenged as he performs the duties of a police superintendent. Blair has a grandmother and a few other relatives near Mandalay, but he is distressed to learn that his uncle Frank married a Burmese woman who gave birth to Kathleen, Frank’s “half caste” daughter. Blair is afraid that his superiors will learn about the relationship and will make disparaging comments about him behind his back. His disgust with people of mixed races eventually causes him to feel disgusted with himself for not judging people on their merits rather than their parentage.
Blair is pleased to encounter a friend from Eton in Burma and is equally distressed when he learns that the man is engaged to a Burmese woman. His concerns are defined less by his own prejudices against Asians than by his fear that he will be judged for having friends and relatives who are willing to mix with natives. At the same time, Blair enjoys the sexual company of Asian women. Sometimes he has to pay for it, but a couple of his postings come with a young Burmese woman who is expected to keep him happy at night.
Blair eventually agrees to sponsor an Indian — one of his few friends in Burma — as a member of his social club, knowing that he will be criticized and even ostracized for daring to bring a nonwhite through the club doors. Placing friendship above social position is a transformative decision, similar to Huck Finn’s moral decision to risk God’s wrath by helping Jim gain his freedom.
Theroux pays close attention to the minor characters in Burma Sahib, including Blair’s police colleagues and his relatives. He gives each of Blair’s lovers a distinct personality, but none of them (apart from the white woman with whom he has an affair) are happy with Blair’s unwillingness to make their relationship permanent. One of those women contributes to Blair’s undoing. The married white woman who occasionally shares his bed has a dirty mouth (by the standards of her time) and Blair finds it exciting to encounter naughty words and ideas that he never seen in books.
Blair's fullness as a character is impressive. Theroux paints Blair as an isolated man who prefers his own company to that of others. He holds his secrets dear, even when the secrets are not worth holding. He gives the impression of being a blank slate and avoids spreading clues about who he might really be. He hates the assumptions that the British make about him when they learn he attended Eton. Blair despises most people, whether they are white Europeans or Indians and Burmese who have darker skin. He only seems content when he is reading or struggling to write poetry. Jack London, Kipling, and Somerset Maugham have the most impact on his literary sensibility, while E.M. Forster’s A Passage to India fails to speak to his own experience.
Theroux is a masterful storyteller. His descriptions of 1920s Burma make the reader scratch mosquito bites, gag at the odor of open sewage, and feel disgust at white colonists who feel privileged to treat everyone with dark skin as a servant. If Theroux occasionally makes points a bit redundantly, those points are always important to the story. The primary point he makes in Burma Sahib relates to Blair’s ability to change his thinking (to become "woke" in current parlance) after observing the unfairness both of British colonialism and of racial or ethnic prejudice in all parts of the world. Blair’s formative experiences have a liberalizing (and thus humanizing) impact on Blair, turning him into the author who will later question authoritarian rule in 1984 and Animal Farm. Burma Sahib is a fascinating portrait of Blair’s intellectual and empathic development. At the same time, it is a fascinating story of a young man who comes of age in an unfamiliar and challenging world.
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