Published by Doubleday on March 12, 2024
Victim is a novel that takes the form of a memoir. Javier Perez admits that he was a slacker who learned to game the system by portraying himself as a victim until his dishonesty was discovered. By telling his story in Victim, Javier is attempting to atone by being honest with himself and with the world. The novel is a nuanced look at the risks people take when they abandon intellectual honesty under the pretense of telling a larger truth.
Javier has had a tough life, but he is used to his life so he doesn’t regard it as particularly difficult. He grew up in the Bronx with a mother who worked hard and made sure he had enough to eat. He lived in a sketchy neighborhood but he learned to read the warning signs and knew when crossing the street (or running) would keep him safe. His dad was a drug dealer who was gunned down in front of Javier on one of Javier’s visits to Puerto Rico, but Javier wasn’t surprised by his father’s fate. To Javier, his life is just the way life is. He has nothing to complain about.
Unlike his friend Gio Meija, Javier is a reasonably good student. Gio clowns around in classes, insults teachers, hangs with drug dealers, drops out, and ends up in prison. Javier has a nerdish reputation because he enjoys reading. He does enough in classes to stand out in comparison to students who don’t try at all. He wants to become a famous writer and “make bank” although he hasn’t tried to write anything.
Javier attracts the attention of a roving guidance counselor who tells him how to exploit his background in an a college admissions essay. On the strength of an essay that exaggerates the hardships he has endured, Javier is given a free ride to a prestigious university in upstate New York.
Javier takes advantage of his ethnicity in college. He scores points with professors for having an authentic underprivileged experience. He milks the fact that his best friend is in prison. He meets a Latina student who is a year ahead of him. She introduces him to a campus organization for students of Latin heritage. Javier relies on his “street” experience to make it seem that he has overcome more barriers than his peers. His Latina friend begins to supplement his college education with information about systemic racism, white privilege, and America’s oppressive power structure. Javier doesn’t know many white people and those he knows have been good to him, but he parrots her teachings because he wants to get in her pants. After he also accepts her lessons about feminism, she sleeps with him and they become a couple.
Javier begins to write a column for the student newspaper. His classes have taught him about the importance of research and discipline, but that seems like too much work to Javier. His columns are superficial but are published in the interest of allowing diverse voices to be heard. To publish more, Javier begins to embellish his personal experiences. He claims that instructors have confronted him with racist attitudes. He describes a benign encounter with the police as if it were threatening.
Javier’s columns play well with his white liberal audience. He justifies his lies by telling himself he’s exposing injustices that actually exist, even if they aren’t part of his own experience. Javier thinks of himself as taking shortcuts rather than telling lies. He thinks he is exercising an artistic license to tell greater truths.
After graduation, Javier gets a job writing for a magazine. He again faces criticism for producing superficial work until he again embellishes his experiences. After Gio is released from prison, Gio calls out Javier for the lies he tells. Gio knows that Javier didn’t grow up eating unhealthy fast food that capitalists sell to exploit the poor — an article Javier’s editor assigned after a story broke that portrayed the Bronx as a third-world community where healthy food was unavailable. Gio knows that Javier’s mother served rice and beans with fresh food — her meals were “the bomb.”
Javier ultimately alienates both Gio and his college girlfriend by portraying them in articles with half-truths. Gio knows that Javier was never recruited to join a gang — Javier is too soft. Gio knows that he did not have an epiphany about being a victim because of his post-prison talks with Javier. Gio has never seen himself as a victim. He knows that people who define themselves as victims make their whole life about victimization. Gio doesn’t want any part of such a confining identity. He regards it as “just another trap,” no better than prison.
Yet Javier doesn’t want to embrace Gio’s demand for honesty. Unsurprisingly, Javier eventually learns a lesson when his dishonesty blows up his life.
There have been well-publicized incidents of journalists falsifying sources or fabricating facts to make a larger point. While the point may have merit, supporting it with lies only undermines the truth the journalist is trying to prove. The social justice issues that Javier writes about have merit, but his lack of intellectual rigor and his reliance on fabrications only harms his cause. Victim makes that point effectively.
An equally important point is that people gain attention and sympathy by portraying themselves as victims or by exaggerating their victimization. This is true across the spectrum of race and political beliefs. That the media crave stories about victims only encourages people to self-identify as victims rather than working to overcome any harm they experienced. People too often use the label “victim” as an excuse for their failure to do their best — at work, in school, in relationships. Javier’s life might have been difficult compared to more affluent students at his university, but he never thinks of himself as a victim until he realizes that playing the victim card attracts attention, sympathy, and opportunities he hasn’t earned.
Even if Victim is viewed as satire, Javier’s story might be a bit simplistic or heavy-handed. Still, fiction can use exaggeration to expose truth even if journalism can’t. The novel is not written in an elegant style, although that might be a function of Javier's voice. Javier doesn't come across as a writer who would take the time to polish his prose. Victim is engaging and it addresses issues surrounding the exploitation of victimization that are too rarely explored. Those are good reasons to read the novel.
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