Published by Orbit on October 10, 2023
I don’t read much fantasy, particularly the kind that involves swords and wizards, dragons, and epic battles. I make an exception for Tom Holt’s interpretation of fantasy. He seems to recognize that most stories in the genre are a bit silly. He exploits the silliness to wring humor from the genre’s tired ideas.
Dawson, Ahriman, & Dawson is a firm of commercial and industrial sorcerers, thaumaturgical and metaphysical engineers, and scholarly magicians. Their clients are primarily nations, planets, and huge businesses. Ahriman possesses fearsome power. He doesn’t usually work but he shows up at the office now and then to demand that the firm generate more money so he can cart it away. He doesn’t need the money but he likes to abuse his partners.
One of the partners, Edward Sunshine, probably doesn’t need to work since he can fill his palms with diamonds from his bottomless purse whenever the mood strikes. A woman who received a delivery intended for Alpha Centauri (the delivery notice says “left with neighbor”) brings it to Sunshine because a friend told her that “weird shit is what you do.” After determining that the object in the package is sentient and malevolent, Sunshine turns to Harmondsworth to help him deal with it. Harmondsworth usually lives in a drawer in Sunshine’s desk but sometimes moves his residence to a tea kettle.
Tom Dawson handles executive recruitment for the firm’s clients. He’s been hired by the planet Snoobis Prime to find a replacement for their god, who died. The not-quite-gods he’s interviewed clearly don’t have what it takes. He considers recommending Santa Claus, who has free time 364 days a year. Santa already has magic and it would only take worshippers to turn him into a god. The position interests Santa, assuming the health plan is adequate.
Brian Teasdale, the youngest partner, takes on the case of a wedding photographer who is troubled by the image of a woman who appears in every picture she takes. The partners eventually realize that the woman in the pictures has been trapped in an asteroid for four thousand years, where her ex-husband imprisoned her after a nasty divorce. Out of spite, she has taken control of the asteroid and has set it on a collision course with Earth. She expects the collision to free her from the asteroid as it destroys the planet that her husband received in the divorce settlement.
A few more characters round out the firm. Tom’s evil twin brother Jerry lives in a steel box in the basement, from which he is allowed to emerge to vote in partnership meetings. Tony Bateman is a shapeshifter. He might be a tree or he might be a toilet in the ladies’ room. Gina, who was once Queen of the Night, works as a sort of office assistant. The characters are considerably more fun than the typical swordsmen and sorcerers of fantasy who take themselves much too seriously.
The loose plot follows characters as they labor to save the Earth from the approaching asteroid, except for those who are interested only in saving themselves. Characters also engage in office politics as they try to undermine each other in their respective struggles to control the firm, or the Earth, or the universe.
Tom Holt excels at dry wit mixed with occasional moments of slapstick. Humor permeates the novel. Teasdale gets his morning coffee from a little caterer in Plato’s ideal reality, making it the best possible coffee. One of the firm’s clients is Consolidated Landrape. A mother creates a planet for her liberal young daughter to save and tells her, “now you really are the centre of the universe. What more could someone your age possibly ask for?” The plot is goofy but coherent, the characters are endearingly grumpy, and the laughs are plentiful. I would say this is Tom Holt at his best, but Tom Holt is always at his best.
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