Published by William Morrow on May 10, 2022
I always enjoy the plot complexity of V.I. Warshawski novels, but there’s a little too much going on in Overboard. The primary story involves the mystery of a young woman who is running from a danger she won’t articulate. Subplots involve art theft, blackmail, Chicago land development shenanigans, elder abuse, vandalism of a synagogue, a drone that supposedly sucks everyone’s data from the air, and a kid who is trying to survive bad parenting. Sara Paretsky depends on unconvincing coincidences to bind the subplots together. Trimming a subplot or two might have added some urgency to an uncharacteristically slow story. Still, any Warshawski novel is worth a reader’s time, if only for the rich Chicago atmosphere.
Overboard begins with Warshawski’s dogs finding an injured teenage girl near the river. Of all the millions who inhabit Chicago, it’s an amazing coincidence that Warshawski finds the girl, but that’s a forgivable contrivance because it sets the story in motion. The girl (Julia) speaks only one word to Warshawski, a word that might be Hungarian. Warshawski takes her to a hospital that she trusts. A janitor who speaks some Hungarian makes an unsuccessful attempt to communicate with Julia. The police visit and soon the janitor is dead, Julia disappears, and the woman sharing Julia’s hospital room suffers misfortune.
Warshawski spends most of the novel eluding a corrupt police officer who is convinced that the girl gave something to Warshawski. After Warshawski is in the news for finding Julia, a teenage boy (Brad) wants her to help him discover whether his father is in trouble. Warshawski has a history with Brad’s family that does not endear his quarreling parents to Warshawski. Eventually Warshawski will need to hide Brad and Julia, both of whom possess knowledge that might endanger their lives. Part of Warshawski’s quest involves learning what the two kids have that the cops and their gangster pals are trying to make them surrender.
The story follows Warshawski as she pounds the pavement to find Julia (although the manner in which they reconnect depends on another unlikely coincidence) and pounds it some more to figure out why Julia and Brad and an elderly woman are in so much danger. Warshawski is twice taken to the Chicago Police Department’s version of Gitmo, from which she makes an extraordinarily unlikely escape. A final action scene has Warshawski playing a daring but stupidly dangerous role. None of this quite added up to a believable story.
Key plot points hinge on a small drone doing impossible things, like causing a blackout and blocking all cellphone coverage in a building. (The drone also magically absorbs all digital data contained within a building, but the plot doesn’t depend on that remarkable feature to save the heroine.) The drone’s conventional ability to take pictures is a more believable plot driver, although the picture it happened to take is — yes, once more — an unlikely coincidence.
The corruption and brutality of the Chicago Police Department is legendary. Paretsky makes it central to the plot. It is also part of the novel’s Chicago atmosphere, along with crooked real estate deals, a polluted river, and the city’s ethnic diversity. Paretsky’s novels are a joy to read for anyone who has explored Chicago. Paretsky’s prose and atmospheric writing give the novel its value, but the story is a bit ho-hum compared to other books in the series.
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