Published by G.P. Putnam's Sons on December 6, 2022
Not many writers have the requisite knowledge base to produce medical thrillers. Robin Cook might owe part of his popularity to his ability to write credible thrillers set within the environs of the medical industry. He’s prolific, but perhaps a bit too prolific, as his work often seems unpolished. Perhaps his books don’t seem that way to him. While I’ve enjoyed some of Cook’s plots, Night Shift is predictable and only modestly suspenseful.
Jack Stapleton is a medical examiner in New York City. He works for his wife, Laurie Montgomery. Jack and/or his wife have been the central characters in about a dozen of Cook’s novels. Jack spends most of the novel feeling abused because the rest of the world will not defer to his superior knowledge, although he does make an effort to preserve domestic peace by attempting to compromise with his wife about his anti-vax mother-in-law and the proper response to his daughter’s autism. At least Cook makes an effort at characterization, even if he didn’t (in Jack, at least) create a likeable protagonist.
Dr. Susan Passero is a good friend of Laurie and tangentially of Jack. She dies in her car in a hospital parking garage, presumably from a heart attack. Jack performs the autopsy but can’t identify an apparent cause of death. He feels pressure to prepare a death certificate and release the body because Susan’s husband wants to adhere to a Muslim tradition of prompt burial. Her husband also wants the death certificate so he can make a prompt life insurance claim. Jack knows the husband but didn’t know he is a Muslim and is suspicious of his insistence that a death certificate be issued quickly.
Jack violates medical examiner rules that his wife is supposed to enforce by interviewing witnesses to conduct a death investigation. He cheeses off a hospital administrator by snooping in Susan’s office and talking to support staff. He learns that Susan also cheesed off people in the hospital by seeking a position on the committee that reviews patient deaths, which Susan seemed to think had been increasing for reasons that were unrelated to the pandemic.
Jack’s investigation leads to the death of one of the people he interviewed and eventually leads to a couple of attempts to murder Jack. Two scenes involving Jack’s attempted murders create the novel’s most suspenseful moments, although the suspense is limited. After all, if you don’t count James Bond (movie version) or Sherlock Holmes (Conan Doyle version), it’s not often that series protagonists die. Even more rarely do they stay dead.
Cook’s explanation of the medical jargon and difficulty of establishing a cause of death is credible and interesting. I enjoyed his insightful portrayal of hospitals as profit centers administered by businesses that have more interest in the bottom line than patient care.
The reader learns the killer’s identity while a third of the book remains, which takes some steam out of the story. My primary gripe is that Cook’s writing style makes the novel come across as a first draft. Cook is in love with needless adverbs. His characters engage in robotic dialog intended to educate the reader, not to create the illusion of two real people having an actual conversation. A couple of characters say that things need to be done “pronto,” just one example of dialog that doesn’t ring true. Police officers take time in the middle of a gunfight to get Laurie up to speed about why they’re shooting. A couple of careful rewrites might have made Night Shift a better novel, but not without adding some twists and thrills to enliven the rather conventional plot.
RECOMMENDED WITH RESERVATIONS