Published in France in 2019; published in translation by Farrar, Straus and Giroux on September 14, 2021
Civilizations recounts an alternate history of European, Norse, Incan, and Mexican civilizations, a history that, by the Middle Ages, produced a different (and possibly better) world than the one that existed. Laurent Binet imagines a string of linked events that cause Incan sun worship to take hold in Europe, competing against the religion of the “nailed God” (as the Incans describe Christianity) and opening the door to tolerance, religious freedom, and universal peace until the peace is shattered by new conquerors.
The story is told in four parts, although the third part dominates. The first is centered on Freydis Eriksdottir, a bad-tempered woman who was fathered by Norse explorer Erik the Red after he founded Greenland. Freydis flees after committing a murder, bringing her husband, a few men, and some animals in search of a new home. Her entourage spreads disease in Cuba, wiping out most of the native population before she moves on to Panama and then to Peru.
The second part consists of fragments of a journal kept by Christopher Columbus. In this version of history, Columbus never returns to Europe. His explorations take him in search of gold and jewels, initially following the path of Freydis as he makes his way to Cuba. Things do not go well for Columbus and his crew, although they put up several good fights. Near the end of his life, he captures the attention of Higuénamota, the daughter of the queen Anacaona, who loves his stories of European monarchs.
The heart of the story is told in the third part. It begins when Huayna Capac, the Emperor of the Inca Empire, is felled by a red-headed traveler whose ancestry presumably traces to Freydis and her fellow settlers. Huana leaves the throne to his son Huascar but allows Huascar’s half-brother Atahualpa to govern the northern provinces that include Quito. After a time, Huascar declares war on Atahualpa, forcing Atahualpa and his army into a retreat. Hearing rumors of an island paradise, he travels to Cuba where he encounters and marries the naked princess Higuénamota. Using Columbus’ rotting ships as models, Atahualpa replenishes his army and supplies and sails to Portugal. Higuénamota becomes a key political adviser in the events that unfold.
Atahualpa brings the sun god to Europe, where he slowly amasses political power in a land that is torn apart by war, poverty, and fear of the Inquisition. Atahualpa establishes trade routes to Cuba, putting an end to poverty with a steady supply of gold and silver. Putting an end to fear of Moors requires Atahualpa to consult with Machiavelli, whose understanding of politics is unsurpassed. Ending the Inquisition takes a bit more time.
Confrontations with Luther and deal-making with the Pope (who tries to recast the Sun as a metaphor for the Christian God) place Atahualpa into the role of Reformer and Protector of the Poor. His reforms include religious freedom (because the Sun doesn’t care if people want to worship other gods), redistribution of wealth, promotion of foreign and domestic trade, acceptance of science, generous exemptions from the payment of tribute, and a form of welfare for the sick or injured. If Incan government is not Utopian, it is a more caring government than Europe had managed to provide before Atahualpa’s arrival. It is, of course, denounced by men who feel threatened by the prospect of having to share power with others.
Trade with Cuba and the Caribbean assures Atahualpa’s success until Mexico, under the emperor Moctezuma, goes to war with Huascar. The Mexicans have a formidable army, placing the Inca-led Europe at risk of invasion and conquest. Atahualpa’s response is practical if a bit Machiavellian, placing him at odds with Higuénamota.
The final part features Cervantes, who flees Spain after bedding the wrong man’s wife. Cervantes has a series of adventures (generally involving fleeing and being captured) and ends up hiding from the plague in Montaigne’s castle, where yet another comely wife gains his attention. The Cervantes section represents an enormous departure from the preceding story, as Cervantes is the only character whose goal is not power or conquest or glory, unless getting laid falls within one or all of those categories.
Civilizations is driven by politics and events rather than characters, although most of the characters are drawn from history. The key players are shown in broad outline. We learn little about their personalities and inner thoughts, if in fact they have any, beyond their drive to achieve their goals. In that regard, Civilizations is written in the style of a history textbook that was authored with literary flair.
In the place of characterization, the novel features intriguing questions of philosophy. It explores leadership and governance, the harms and benefits of competing religious beliefs, and the ease with which, but for a minor change of events here and there, the history we know could have been very different.
Religion is a driving force of history. It is no less so in this alternate history. An exchange of correspondence between Thomas More and Erasmus debates the merits of religious freedom. Atahualpa sees the differences between Catholic and Lutheran beliefs as too petty to merit burning people for holding one belief or the other. The Incan insistence on tolerance comes to benefit Lutherans, Jews, Muslims, and everyone who was branded as a heretic by the Pope.
The novel highlights cultural differences in ways that remind us how silly culture can be. The Incans are amazed that Catholic cultures place importance on female virginity while not caring whether males gain sexual experience. Believers in the “wrong” religion are scorned as infidels until they amass armies, and then are accepted as good neighbors, provided they leave their armies at home. All of this should be puzzling, but Civilizations reminds us that we often accept things as given that should puzzle us.
Civilizations is driven by ideas rather than characters, and the plot is driven by big events rather than the small stories around which most novels are built. For those reasons, Civilizations might not be to every reader’s liking, but history buffs who like to imagine “what if” should love it.
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