Published by Grand Central Publishing on July 6, 2021
The plot of An Ambush of Widows is about 70% believable. That’s probably average for modern crime novels. In one scene, the driver of a moving car tries to shoot a character who is standing inside a restaurant. The shooter just isn’t the kind of person who would be stupid enough to think that (a) the shooting will be successful or (b) the driver of a vehicle in urban traffic is likely to avoid the police after attempting an assassination. More than a few relationships between characters, some of which are kept secret, are difficult to believe. Some of those are too coincidental to be credible. Nevertheless, I enjoyed the story and that’s what counts.
The premise seems simple. A woman in New Orleans gets a call from her husband’s cellphone. The caller advises the woman that her husband has been killed in Austin. Who called her and why? Who killed her husband and why? The woman, Kirsten North, suspects the call is a prank because her husband Henry is in New York. When she can’t reach Henry, she looks at the news in Austin and discovers that there were, in fact, two recent murders in the same Austin warehouse. One of the victims is unidentified. Kirsten immediately flies to Austin to investigate. Most rational wives would call the police before booking the flight on the theory that the police should know about the call immediately. Kirsten’s failure to do so creates the yet another credibility issue.
Henry is, if fact, one of the murder victims. Henry owns a small computer security business. The other victim is Adam Zhang, a wealthy partner in an investment group that develops high tech businesses. Kirsten knows of no connection between the two men. Neither does Flora Zhang, Adam’s wife. Kirsten decides to ferret out that connection with the help of her former foster brother, Zach Couvillon.
The seemingly simple plot will eventually invite the reader to make charts and diagrams as it becomes more complex. Keeping track of the various ways in which characters are connected to each other, often unknowingly, is something of a chore, but that’s not unusual in novels of this nature.
Kirsten’s backstory as a foster child occupies a good chunk of the novel and adds to its complexity. Suffice it to say that her foster dad was not the nice guy Kirsten believed him to be. Kirsten’s teen years include a dramatic episode involving Zach, her foster parents, and Henry (who was her neighbor at that point). The drama eventually shapes the events that follow, although Kirsten doesn’t understand all of the ways in which that will be true.
All of those characters and others — from Adam’s live-in cousin to the incredibly polite homeless man who finds the bodies — play a role and could be murder suspects. Planted evidence adds to the threat that an innocent person will be blamed. The police suspect Kirsten or Flora because the spouse is always guilty, but the reader knows that Kirsten was in New Orleans and couldn’t have killed Henry. Everyone else is fair game. The reveal again tested my willingness to suspend disbelief, but Jeff Abbott doesn’t cross the line between implausibility and impossibility.
As Kirsten plays sleuth, she sneaks around and unearths clues with unlikely success. Those scenes create a bit of tension, but the action only creates a true sense of danger near the novel’s end. Also near the end, a character steals a computer from a house filled with security guards with no explanation of how he accomplished that feat. I felt a bit cheated by that.
While Kirsten benefits from the greatest degree of character development, a contract killer who becomes a key character spends much of his time worrying about getting home in time to be with his wife as she gives birth. I enjoyed the incongruity of an apparent sociopath’s concern about being a good husband. Zach, on the other hand, could have used a bit more character development, given his importance to the story.
The plot is unnecessarily convoluted and depends too much on coincidental or secret relationships. Still, the story held my interest until the action ended. The last several pages are devoted to an expository explanation of how all the loose ends tie together. Some of that seemed a bit contrived. Fortunately, the fun of trying to puzzle out the story’s various mysteries outweighs the novel’s flaws. And the very last chapter, a short one, contains an out of the blue surprise that overcame any reservations I had about the story’s weaknesses.
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