Published by Grove Atlantic/Mysterious Press on July 7, 2020
Criminal enterprises are more interesting than most legitimate businesses. Stories about crime families are more likely to capture the imagination than stories about upright families because the problems faced by criminals are outside the ken of law-abiding people. A reader might relate to a story about emotionally distant parents or drug dependent siblings, but we are fascinated by Michael Corleone’s decision to put the family business ahead of his loyalty to Fredo, simply because the decision to kill a disloyal brother is one that we’re never likely to ponder. At the same time, criminals like Tony Soprano remind us that members of crime families have problems in common with members of straight-and-narrow families.
The Wolfe family has roots in Ireland and Mexico. From its family base in Brownsville, Texas and in concert with the Mexican side of the family, the Wolfes now smuggle guns and engage in other outlaw activities on both sides of the border. The Wolfes place great value on education and family bonds. They operate their business using reliable management techniques, most of which would be recognizable in any legitimate business. Some of their management strategies, on the other hand, are more violent than those employed in a typical family business. Like many other families, however, the Wolfes go to bat for each other. Unlike some families, they inevitably place family ahead of profit.
The Bones of the Wolfe is the fifth novel in James Carlos Blake’s series about the Wolfe family. They are a likeable group.
The story begins with the hijacking of a shipment of guns that are being delivered to a cartel. The family member in charge of security, Mateo Wolfe, orchestrates a quick and successful response. As two Wolfe brothers, Frank and Rudy, are celebrating by screening a particularly good porn DVD that came into their possession during the gun recovery, their cousins — Rayo Luna and Jessie Juliet — insist on joining them, and then on providing commentary about the acting.
Jessie notices that one of the actresses, Kitty Quick, bears a striking resemblance to a woman she saw in an old family photograph. She shares the discovery with the family matriarch, Catalina Wolfe, who at 115 has seen a great deal and is revered by the rest of the family. Catalina instructs Frank and Rudy to find Kitty, who might be a descendent of Catalina’s lost sister. Rudy and Frank would not think of disobeying, so they embark on a quest that takes them to Los Angeles and then to Mexico, where they must persuade Kitty to leave the cartel kingpin with whom she is staying. This leads to a harrowing chase that includes an escape in a boat across the Gulf of Mexico during a hurricane. Fun stuff.
Blake pulls this off because he has mastered the art of writing an action novel with literary flair. He creates atmosphere and characterization without deadening the pace by creating too much. The main characters kill when they deem it necessary but they don’t go out of their way to be violent and in other respects behave quite decently. While the plot is less meaty than some of the earlier books in the series, the streamlined storytelling makes The Bones of the Wolfe a fast and exciting read.
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