Published by Tor Books on April 16, 2019
Knight is subtitled A Chronicle of the Sybil’s War. It is the second book of a trilogy, following Pawn and preceding Queen. The ending isn’t quite a cliffhanger, but it doesn’t resolve much of anything.
Timothy Zahn’s premise is that several humans and various aliens are enslaved on a two-mile long ship. Sometimes the Shipmasters have different species fight each othe using relatively harmless weapons (like paintballl guns) in different kinds of arenas. When aliens fight well, the Shipmasters sell the location of their planet to other aliens, who can capture slaves from that planet for use as fodder in combat.
The ship is having problems, probably because enslaving people wasn't its original mission, although what that mission might have been has yet to be revealed. A human named Nicole Lee is tasked with watching over the ship. She was promoted from Sybil to Protector, a position that requires the ship (but not the Shipmasters) to give her commands some deference. To maximize her communication with the ship, she has to ingest chemicals through an inhaler that will shorten her lifespan.
The ship is divided into quadrants. The Shipmasters seem to be in control of one quadrant but less in control of the others. Nicole’s assigned task is to maintain and protect the ship, but her self-assigned task is to convince the Shipmasters that humans are lousy fighters and therefore not worth kidnapping as warrior-slaves. That plan doesn’t work out quite the way Nicole intends.
Aliens enslaving humans is standard space opera fare. The story is moderately interesting but probably not worthy of a trilogy. Some of Nicole’s adventures as she wanders through the ship, trying to figure out what’s what and intervening in arena battles, come across as filler. The alien races she encounters are not particularly imaginative, but the humans don’t have much personality beyond the pluckiness that we expect from sf human as they outsmart their alien captors, so it all evens out.
As an action-adventure story, Knight has modest entertainment value. Zahn keeps the action moving even when it seems to be moving in circles, biding time until the story gets around to advancing. The middle novels of trilogies often come across as bridges between two better novels, and that is probably the case with Knight. It might be more fair to review the trilogy as a whole, but the third novel isn’t out yet, so I have to give the second one, standing on its own, a thumbs sideways.
RECOMMENDED WITH RESERVATIONS