Published by Berkley on April 17, 2018
Iran has a “secret” nuclear facility near the site of a recent earthquake, but not so secret that the CIA is unaware of its existence. A British Airways flight with apparent engine and hydraulic problems approaches the airspace over the facility and makes an emergency landing at Sirjan, much to the consternation of the Iranian military, given the flight’s intrusion into prohibited airspace. However, shooting down a crippled civilian craft with a large number of passengers would be bad for Iran’s image, so Zac Miller, an American passenger, finds himself on the ground at an airport that was shut down due to the earthquake. Not long after that, he’s taken prisoner as a suspected spy because he took some pictures of a mountain sunset.
Of course, the Iranians are right. Miller is a spy, but not a field agent. He’s an analyst who is slotted into the mission at the last moment, after the real spy had to drop out. The CIA’s brilliant scheme is to have him take pictures of the “secret” nuclear facility as he strolls across the airport tarmac. And for this they put the lives of everyone on the British Airways flight at risk. The idea is just dumb enough to be real.
Miller is taken prisoner because he’s the only passenger taking pictures of the “secret” facility. With improbable speed, the Iranians set up Miller as a suspect in murders committed in Singapore and Paris. Also improbable is Miller’s escape from custody, but it sets up the cross-country trek that takes up a good part of the story, as Miller tries to evade Iran’s military and make his way to a friendlier environment.
The story takes Miller to Iranian goat herders and later puts him in the hands of Dubai police officers, one of whom lost his wife when the U.S.S. Vincennes, an American naval vessel unlawfully operating in Iranian waters, shot down a civilian aircraft that was leaving Iran. The police officer believes the military action was deliberate; Miller believes it was a mistake. The truth is less clear, but the novel acknowledges that the incident shaped the way many Iranians view the American government.
In any event, Miller feels abandoned by the CIA, which decides that he has gone rogue and turned into a serial killer. The CIA wants to kill Miller because that’s how the CIA solves problems. That creates a classic "good guy must prove his innocence before other good guys kill him unless the bad guys kill him first" plot that is standard in thrillers.
An elderly high society British woman also plays a key role in the story, having taken a shine to Miller while sitting next to him on the British Airways flight. I wasn’t persuaded that she would be so obsessed about a man she knew for such a short time, particularly after she learns that he’s accused of multiple murders.
The plot struck me as a bit farfetched, from the scheme to put civilian passengers on British Airways at risk to the Iranians’ immediate and successful effort to make Miller look like a murderer (maybe Iran has a contingency plan to frame CIA agents). More troubling is that Miller’s adventure is just too easy. He readily evades capture, crosses borders at will, and never faces a threat of death sufficiently serious to cause the reader to worry about his survival. The story lacks tension and suspense. Not all thrillers need to be thrilling, but this one was clearly meant to be, and it falls short of the mark.
The promotional materials for Warning Light emphasize that David Ricciardi incorporated his personal experiences into the novel, including backpacking through the mountains of the western United States. Backpacking in mountains in the US is fun and not particularly dangerous. That’s kind of how Miller’s trip through the mountains in Iran comes across, but for the occasional battle to the death.
Having said that, Ricciardi delivers one good scene involving a sailboat trying to cross the English Channel in a storm that conveys a true sense of excitement and danger. If the novel had done that more often, I would have no reservations about recommending it. Ricciardi’s prose and pace are fine and, as first novels go, Warning Light isn’t a bad effort, although the ending (which sets up the next novel) is weak. I would chalk this up as decent first draft that wasn’t quite ready to be published.
RECOMMENDED WITH RESERVATIONS