Published by G.P. Putnam's Sons on May 1, 2018
Technically, the title of this book is Robert B. Parker’s Old Black Magic, but since Parker (1932-2010) is dead and buried, it isn’t really his, even if it continues the Spenser stories that Parker created. At least G.P. Putnam’s Sons put Ace Atkins’ name on the cover shown above in a font that is noticeable, although not as large as the font used for Parker’s name. (Another version of the cover rather shamefully puts Atkins' name in much smaller font.) Read the Amazon reviews in a couple of months and I assure you that some readers will have purchased this book in the belief that Parker wrote it.
Spenser is hired to find an El Greco that was stolen from the Winthrop twenty years ago, along with a Picasso sketch and another painting. He makes inquiries among his aging connections in the police as well as the Boston underworld, and dutifully accompanies the woman who hired him as she prepares to pay a ransom for the return of the Picasso. One thing leads to another before Spenser is fired by the snooty museum Board and replaced by a snooty British investigator who specializes in art theft.
Of course, being fired won’t deter Spenser. His continued investigation leads him into old underworld feuds, including a closed case involving a mob murder that may or may not be related to the art theft. The El Greco seems to have changed hands more than once, making Spenser feel like he’s playing a game of “Mafia musical chairs.” More murders ensue, giving Spenser reason to wonder who will try to kill him next.
Atkins captures the banter and wisecracks that Parker employed to make Spenser a popular character, even if the series was getting a bit stale by the time of Parker’s death. I don’t know that Atkins has refreshed it — taking the series in a new direction would probably violate his contract, since books about beloved characters whose creators have died are meant to give readers more of the same — but he certainly hasn’t harmed the franchise. Spenser’s girlfriend Susan, his dog Pearl, and a variety of cops and mobsters have the opportunity to listen to Spenser’s irreverent wit. Nor has Atkins diminished Spenser’s love of good food (that he prepares in his kitchen or orders in restaurants) and pastries (that he buys from Boston bakeries or bums from his cop buddies).
The plot of Old Black Magic is more believable than is common in most modern crime novels. It makes enough detours to keep Spenser (and the story) moving, including a visit to Memphis, where the BBQ ribs are hard to beat. Meeting all the shady characters who might have some knowledge of the painting is enjoyable, and if the plot isn’t particularly exciting, it has the virtue of making sense — something that can’t always be said about modern crime novels. And there’s a shootout near the end of the story, proving that Spenser is in capable hands with Atkins.
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