Published by G.P. Putnam's Sons on February 7, 2017
The prolific Reed Farrell Coleman has developed or contributed to six series of novels. What You Break is the second installment of the Gus Murphy series. Enough background from Where It Hurts appears in What You Break to make it easily read as a standalone book.
Gus is a retired cop who works hotel security in Suffolk County, New York, which sometimes requires him to drive a hotel shuttle. The doorman, Gus’ good friend Slava Podalak, has a mysterious past. Gus is trying to rebuild his life after his son’s death. He regrets the end of his marriage but he knows better than to pretend he can save it.
Gus has a history with a priest who saved his life by killing someone. The priest introduces Gus to a wealthy fellow named Micah Spears, whose granddaughter, Linh Trang Spears, has been murdered. The police arrested the murderer but they don’t understand his motive. Spears wants Gus to find out why the crime was committed.
Quickly enough, Gus encounters a professional hit man, gets beaten up by a big guy, gets beaten up by a cop, dodges Russians who are trying to find Slava, is chased by thugs in a car, and has a conflict with his girlfriend. It’s a dangerous life Gus leads, although his tour of Long Island pizza joints might make it bearable.
Gus eventually decides that he won’t learn anything until he learns more about Micah Spears, who turns out to be at least as mysterious as Slava. Coleman makes a big deal out of the contrast between Slava, who did something bad and carries enormous guilt, and Spears, who did something bad and feels no remorse. Both of the characters seem contrived, created expressly for the purpose of demonstrating that contrast, but neither of them has much substance.
Gus reminds us about once every three pages that his son died and that the death changed him. That’s a fine characterization, but I got it the first time. By the tenth time, I was ready for Gus to find something else to talk about. Unfortunately, Gus is too dull to talk about anything interesting. The other main character, a former priest who lost his faith, is a standard stereotype too often found in crime fiction to be interesting.
The plot is plausible and reasonably entertaining. I liked the ending. The novel’s merits outweigh its shortcomings but this certainly isn’t Coleman’s best work.
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