First published in 1979; published digitally by Open Road Media on January 12, 2016
Stephen Becker combined the elegant prose of a literary author with the storytelling of a genre master. Nowhere are those gifts more evident than in the novels that comprise the Far East Trilogy. The Last Mandarin is the second novel in that series. It is a wonderful collision of east and west, showcasing cultural differences and universal verities. An adventure story told with literary flair, The Last Mandarin mixes humor and drama, romance and war, honorable rogues and disreputable heroes.
In 1949, the Nationalists are fighting the Communists and the poor are dying on the streets of Peking. Burnham, retired from the American military, is hired to bring death to a Japanese war criminal named Kanamori Shoichi. But the true nature of his mission is concealed, even from him.
Burnham encountered Kanamori during the Rape of Nanking in 1937. His memories give him a personal stake in his mission. His quest takes him all around Peking, to beggars and bars, to the police and gangsters, to prostitutes and pillars of Chinese society. Given a choice, Burnham prefers prostitutes and ricksha drivers to the more hypocritical members of society. A thread of decency runs through all of Becker’s novels, and Burnham, while far from perfect, is a decent man.
Mixed in with Burnham’s pursuit are flashback chapters that explain Kanamori’s role in the Japanese military, both as a warrior and then as Japan’s emissary to the Chinese drug trade. I can’t say that Kanamori is a sympathetic character (at least initially), but Becker makes it possible to understand how Kanamori perceived his life and the lives of those who surrounded him. Enjoying the benefits of corruption while the war is going tolerably well for the Japanese, Kanamori fancies himself the last mandarin, but we know that the war did not end well for his side. Kanamori is a complex figure, torn between two countries and a betrayer of both, soulless yet plagued by demons.
The dialog in The Last Mandarin is rich with metaphor and misdirection. “Probably there are more ways not to answer a question in Chinese than in any other tongue” and Burnham employs them all. The dialog is also rich with humor (“I am always thirsty after being beaten about the head”). Becker pays tribute to the elegance of Chinese language and to China’s remarkable history, culture, and artistic achievements, but never turns a blind eye to the corruption and political unrest that has for so long troubled the nation. The novel’s atmosphere is utterly convincing.
Some images in The Last Mandarin, particularly Becker’s description of the atrocities committed by the Japanese in Nanking, are disturbing, although the images are less disturbing than the reality they describe. Some erotic images, particularly Becker’s description of a night that Burnham spends with a prostitute, will only be offensive to those who are offended by joy and love.
All good novels pose a moral dilemma. Burnham’s is what to do with Kanamori if he finds him. The choice is not as easy or obvious as it first appears. Letting go of a painful past is never easy but sometimes necessary, and justice can take many forms. The great lesson of The Last Mandarin is this: You never know what benefit might come from making a new friend of an old enemy.
Like many fine novels, The Last Mandarin includes a love story. It is romantic because it eschews all pretense of romance. In Burnham’s world, love is what we salvage from horror. In the end, the best we can hope for is to “find our lovers, bake our bread and watch the sunset in peace.” And the best thing we can do for the world is to help make love possible.
The Last Mandarin is a masterful mix of adventure, humor, drama, tragedy, philosophy, history, romance, and atmosphere. Stephen Becker is one of America’s great uncelebrated novelists and The Last Mandarin is a prime example of how much fun readers can have if they take the time to find his work.
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