Published in Nigeria in 2015; published by Grove Atlantic/Black Cat on May 3, 2016
Born on a Tuesday follows young Ahmad Dantala, an Islamic Nigerian, as he is swept up by violence and corruption, runs from bullets, finds refuge in a mosque, and tries to fight the temptations that make teenage boys tremble in the night. In the mosque, Dantala struggles with English and friendship, both of which he shares with an abused boy named Jabril. As is common in novels of this nature, he questions some of the harsher interpretations of Islamic law. He becomes deputy to a Sheikh who guides his lessons. He also discovers that there is corruption in Nigeria. Who knew?
Dantala’s struggle eventually puts him in the middle of competing religious and governmental factions. Born on a Tuesday positions Dantala as a symbolic representative of peaceful people everywhere who become the victims of power struggles spawned by zealots.
Much of the novel’s background concerns the struggle between two opposing views of Islam, one that wants to separate itself from the Nigerian government and oppose it violently, and one that wants to work within the Nigerian government to influence institutions and bring about change. The conflict makes Dantala wonder how Muslims can respond to people fighting them all over the world when they are constantly fighting among themselves. The conflict spills into Dantala’s life in many ways, particularly in the effect it has on his friend Jabril. Another religious struggle that the book touches upon (although not too deeply) involves the conflict between Sunni and Shia within Nigeria. The primary background element involves the Nigerian Army’s massacre of the Shia.
Since this is a coming-of-age novel, Dantala does the things that boys do, including having sex with a prostitute and touching himself, actions that his religion forbids. His interactions with women, as is typically true of young men in coming-of-age novels, are awkward. Religious strife leads to violence -- a mixture of killings by individuals, police, and soldiers -- that Dantala feels powerless to address.
Born on a Tuesday conveys the political and religious conflict that surround Dantala, but Elnathan John never made me feel Dantala’s emotional responses. Perhaps the prose is a bit too clinical. Although John makes clear that Dantala’s experiences (including torture) are horrifying, the experiences are not emotionally convincing. Dantala told me about his pain but didn’t make me feel it. The religious rituals in which Dantala engages (such as daily prayer and washing the body of his dead friend) are common to novels about Muslims, but the novel is disappointing in its failure to explore Dantala's connection to his religion in greater depth.
As an account of an oppressed religious minority in Nigeria, however, Born on a Tuesday has value. It also has value as the account of a young man trying to make sense of a world that too often makes no sense at all. A more seasoned novelist might have written a more moving story, but Born on a Tuesday has the great virtue of honesty.
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