Published by Simon & Schuster on September 13, 2016
David Federman, a newly arrived freshman at Harvard, quickly finds a girlfriend who is perfect for him (i.e., she is capable of tolerating him) and just as quickly takes an interest in her beautiful roommate. David uses tactics to get close to Veronica that could be characterized as stalking, but it takes some time before Veronica even notices that he exists. When she does notice, she realizes that she can use him to write her papers. And so we have a classic relationship involving a user and a person who wants to be used (albeit in a different way), the kind of relationship that never ends well.
The story is told from David’s perspective, as if he were telling it to Veronica. It doesn’t build suspense in the traditional way, but it does create a sense of foreboding. Neither David, who mistreats his girlfriend and cares only about himself, nor Veronica, who seems to cultivate a tragic air when she’s not manipulating people, are particularly likable characters, so the reader might look forward to something bad happening to one (or preferably both) of them.
The story takes a smart twist near the end as David gains insight into Veronica and fails to gain insight into himself. The ending isn’t as powerful as I was expecting, but it is true to the story that precedes it. Sensitive readers might find it disturbing.
Teddy Wayne’s prose is graceful, but the novel’s real strength lies in its psychological exploration of David, a loner who is so stuck on himself that he has no clue how he is perceived by others. His sense of entitlement might make him a good fit for Harvard, but he is a misfit in any setting, socially awkward and completely invisible to the smug students who surround him. His story opens a window to other young men who derive a misplaced sense of entitlement from their intelligence while lacking the empathy and humility that would help them understand their true place in the world.
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