Published digitally by Endeavour Press on October 6, 2016
The three volumes in this trilogy — The Secret Generations, The Secret Houses, and The Secret Families — chronicle the devious machinations of the Railton family in the twentieth century world of espionage. In the first novel, Charles Railton becomes one of the first members of MI5 (then known as MO5). His Uncle Giles is what would now be called an intelligence analyst. Giles pimps out his daughter to spy on a German military officer and pimps out his son’s wife to spy on the Irish. Giles’ nephew John serves in Parliament and is appointed to the Cabinet so that he can bolster Giles’ work. John’s son James wants to be an aviator in the belief that these new-fangled flying machines might have some military reconnaissance value -- a plan that Giles fully supports.
While the first novel addresses the intrigue of World War I, the second novel moves to the Second World War. The Railtons are supporting the French resistance — Caspar Railton is running his own network — again using family members as undercover agents. The Railtons are working alongside, and intermingling with, the American Farthing family, which is perhaps even more devious than the Railtons. A traitor threatens the organization — but could the traitor possibly be a Railton? It’s up to Caspar’s nephew Naldo to figure it all out.
The third novel pits the Railtons against the Russians, this time asking whether Caspar Railton has actually been working as a Russian double agent for decades. Naldo investigates the rumor with the help of a Farthing, who has some family loyalty issues of his own. The final novel brings the series, and perhaps the Railton family’s usefulness to British intelligence, to a close.
Taken collectively, the three volumes offer an excellent history lesson and a wealth of realistic detail about the evolution of twentieth century espionage. The story is also a multigenerational family saga involving two families that intermarry (families that spy together, stay together). There are times when John Gardner’s prose is a bit too dry for my liking, and I think the espionage works better than the family drama, but the plotting is quite good and characters are strong. The Secret Trilogy showcases Gardner as a serious espionage writer, something his James Bond novels (as the most prolific successor to Ian Fleming) failed to do.
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