Published in Great Britain in 2015; published by Henry Holt and Co. on January 12, 2016
Quirke begins Even the Dead on extended sick leave, suffering from hallucinations and forgetfulness that, according to his brain specialist, are caused by stress and boredom, as well as an old scar on his temporal lobe. Quirke is a composite of old scars; that a scar explains his current predicament is no surprise to him. Yet Quirke’s lethargy, his indifference to life, seems to him not to be caused by brain damage but by life damage -- he has the sense that something has “gone out,” that his life is over and done, or never began.
Quirke’s assistant, David Sinclair, who happens to be dating Quirke’s daughter, solicits Quirke’s opinion concerning a suspicious bruise on the corpse of a man who is believed to have committed suicide. The suspected murder victim is the son of a well-known scofflaw, the kind of man who “makes a point of being awkward.” Eventually Quirke takes an interest and tags along with his friend, Inspector Hackett, as the death is investigated.
Meanwhile, Quirke’s daughter is asked to help a former classmate who is fleeing from a menace she refuses to identify. The menace, of course, is related to the death that Quirke is investigating. That might seem like an unlikely coincidence but Dublin isn’t huge and the coincidence is therefore not so improbable as to hurt the story’s credibility.
The deceased is a young civil servant, an unlikely candidate for murder. Benjamin Black develops the mystery slowly, dangling potential motives for the reader to consider. The novel features a return to Mother of Mercy Laundry, which played a key role in a couple of earlier novels in the series.
While the story is built upon a murder mystery, the plot is secondary to Quirke’s plotless, aimless life. Although “a stranger to himself,” Quirke is an introspective man, a thinker who can’t quite make sense of his existence. To say Quirke has been a disappointing father would be to understate, but Black does not cheat the father-daughter relationship of its complexity. All of Quirke’s relationships are ambiguous and complex, despite Quirke’s efforts to keep them at a comfortably superficial level.
As a pathologist, Quirke is used to confronting death, but in these novels, he often confronts the deaths (or impending death) of people he knows. Even the Dead is no exception. Yet for all his melancholy and sense of mortality, there are glimmers of happiness and hope in Quirke’s life during the course of the novel. Rebirth or a fresh start would be unrealistic in Quirke’s gloomy world, but Black seems to suggest that even the gravely burdened might find a sort of renewal as their lives progress.
Quirke lives in a world where the rich and powerful can do as they please, without consequence. In other words, he lives in the real world, rather than a fictional world where justice always prevails. The murder mystery and its byproducts resolve in a straightforward way; whether the resolution represents justice must be left to the reader’s judgment.
Black’s prose is, as always, elegant. The lives of Quirke and other characters evolve in Even the Dead -- Quirke most of all -- as lives should in the hands of a capable writer. I don’t know if this is meant to be the last Quirke novel, but it ties up story threads so deftly that it reads as if it might be.
This isn’t an action novel or a suspenseful thriller, but the story moves quickly. Even the Dead doesn’t feature the best plot in the Quirke series but it is sufficiently sturdy to carry a work of character-driven fiction.
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