Published in Australia in 2014; published by Minotaur Books on November 10, 2015
This 2014 Australian novel, recently published in the United States, is my first exposure to Barry Maitland. I like the book’s atmosphere. The characters have plausible depth for a fast-moving thriller. The plot has a satisfying number of twists, but the novel doesn’t stand out as an original or exceptional contribution to the “cop turns avenger” genre.
Harry Belltree’s father was the first Aboriginal judge of the New South Wales Supreme Court. Harry is a police detective. His parents died in a traffic accident and Harry is obsessed with the belief that they were the victims of a murder or, at least, a hit-and-run. Part of the novel concerns Harry’s pursuit of those suspicions.
For a time, Harry is investigating murders in a Sydney neighborhood with an unfortunate history that is known as Crucifixion Creek. He is a witness to the first murder. The second victim is his brother-in-law. Also dead are an elderly husband and wife who committed suicide together for reasons that reporter Kelly Pool finds mysterious.
It soon becomes apparent that related, nefarious activity by a biker gang has a political connection. More brutality follows, the body count rises, and Harry, assisted by his blind wife, finds the violence coming uncomfortably close to home -- as does Kelly Pool.
Much of the story will be familiar to thriller readers. As a cop, Harry is told to back off, and so of course he doesn’t. As a man with a sense of justice, Harry doesn’t always play by the rules that the police should follow. Harry isn’t quite Dirty Harry but he does take the law into his own hands, making him about the billionth law enforcement officer in crime fiction to do so. Kelly is the typical intrepid reporter who puts herself at risk while following her nose for a story. The reason underlying the murder turns out to be a crime scheme that thriller writers rely upon too often. None of that is particularly imaginative. The ending, on the other hand, comes as something of a shock, although the shock is weakened in the final paragraphs.
Still, the Sydney setting is a nice departure for American readers who are looking for something different, and there are enough twists here to add intrigue to a familiar plot. Maitland’s prose is crisp and the pace is appropriate for a crime thriller. Unanswered questions set up the next book. While I might hope for more creativity in the second novel, this one made me want to read it.
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