First published in Australia in 2015; published by Simon & Schuster on September 15, 2015
Liam Wilder is a writer. At least, that’s his ambition. Aldo Benjamin, fresh out of prison, is Liam’s unwilling muse. Liam thinks that a book about Aldo will be a best-seller as well as a needed eye-opener for Aldo.
To help the reader understand all of this, Liam flashes back to discuss his life, his marriage, his failures, his career in law enforcement, Aldo’s life, Aldo’s failures (which are many), Aldo’s mental health issues (also many), Aldo’s ideas and opinions and theories (which spew forth in energetic bursts), Aldo’s marriage to Stella, Aldo’s unfortunate reaction to an unfortunate situation involving Stella, Aldo’s relationship with his mother Leila (who suffers the sins of her son), and more. Much more.
Aldo has a gift for saying the wrong thing at the wrong time, a gift he exercises throughout the course of the novel, inevitably leading to misfortunes of his own making. He might be better off dead but that, too, is something he can’t quite manage to get right. At the same time, the novel is a testament to perseverance, most clearly expressed in Aldo’s attempts to surf when he is physically incapable of doing so.
I would complain that the plot goes off track early and often if the plot actually followed a track. This is an episodic novel, each episode representing a highlight (or lowlight) of Aldo’s life. One portion of the novel is presented in the form of a police interrogation, with Liam questioning Aldo about a crime he possibly committed. Another portion consists of a transcript of Aldo’s trial. The story is engaging but overwhelming, to the extent that I was only able to absorb it in small doses.
Readers looking for likable characters might be put off by Quicksand. Aldo isn’t necessarily unlikable, but he’s far from admirable. Liam has identified himself as a tragic failure (certainly a failure as a novelist and not much of a cop) which isn’t an attractive quality. Startling prose, offbeat humor, and meaningful (if underdeveloped) themes are reasons to spend time with fictional characters you wouldn’t invite to a party.
The comedy is dark but amusing. I’m not sure why anyone would put up with Aldo (and most people don’t), but his enduring and unlikely friendship with Liam is probably the story’s point. Liam sees something of value in Aldo that the reader occasionally glimpses -- something more than sharp wit -- that allows their friendship to survive. Aldo might be a walking catastrophe, but even a catastrophe deserves a friend. Anyone who has maintained a friendship with someone who has been rejected by the vast bulk of humanity will likely appreciate Quicksand.
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