First published in France in 2010; published in translation by Penguin Books on April 29, 2014
Ludevic Senechal buys an old film from the son of a man who recently died. The film's former owner was obsessed by espionage and conspiracy stories. As Senechal watches the film, he goes blind. By chance, he speed dials the number of a Lucie Henebelle, a police lieutenant he dated for a short time. When Lucie watches the movie, she almost wishes she had gone blind instead of seeing the gruesome footage. But, as Lucie eventually discovers, there is more to the film than meets the eye ... or the conscious mind.
While Lucie is investigating the movie, Chief Inspector Sharko is lending his assistance as a behavioral analyst to provincial police who are investigating five dead bodies -- their skulls sawed open, hands chopped-off, brains and eyes removed -- that have been found buried in Upper Normandy. Sharko's efforts are hampered by Eugenie, a young woman who blames him for a certain traumatic event in his life. Eugenie is not real but the treatment Sharko is receiving for paranoid schizophrenia hasn't made his tormenter go away. Why Sharko is allowed to carry a gun is a bit of a mystery but perhaps delusions and schizophrenia do not disqualify police officers from carrying lethal weapons in France.
The two mysteries are, of course, linked, and so the two protagonists, Lucie and Sharko, are fated to meet. Their relationship proceeds in a way that is too obvious, but given that this novel is followed by a sequel, perhaps their relationship will take a less predictable path in the next installment.
Soon after they meet, Sharko travels to Cairo to investigate similar murders that occurred 16 years earlier while Lucie's investigation takes her to Canada. Franck Thilliez captures the rhythms of Cairo and Montreal as convincingly as those of his native France. The story relies upon a dark period in the history of Quebec involving the "Dupleissis orphans," a scheme that allowed church-operated orphanages to obtain government funding by falsely certifying orphaned children as mentally ill. Eventually a conspiracy is revealed that, in the tradition of modern thriller conspiracies, is far-fetched but (unlike some modern thrillers) at least remotely plausible. The notion underlying the "syndrome" that gives the book its title is fanciful but not without a scientific foundation.
Once Lucie and Sharko uncover the killer's identity, Lucie is shocked, but I doubt the reader will be. My reaction was "oh," simply because there is no way for the reader to have made the discovery independently. The information dump that ends the story comes as an anti-climax. Despite the disappointing ending, I enjoyed the character of Sharko and will probably read the next novel in the series.
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