First published in 1985; published digitally by Open Road Media on July 30, 2013
"Deprogramming" -- kidnapping someone who has supposedly been brainwashed by a religious cult and coercing their abandonment of the cult's belief system -- was in the public mind during the 1970s. Tim Powers (one of the most underrated writers of speculative fiction) grabbed hold of the concept in his 1985 classic Dinner at Deviant's Palace, incorporating it into a story of a post-apocalyptic future. In his introduction to the Open Roads edition, Powers explains the novel's interpretation of the Orpheus myth (a connection I would have missed if Powers hadn't explained it).
Dinner at Deviant's Palace is a science fiction novel with elements of fantasy. You can always expect the unexpected in a Powers novel, and this one adds a strange creature called a hemogoblin to the standard description of America-turned-wasteland. The novel was written long before the current obsession with post-apocalyptic vampires, and the hemogoblin isn't a vampire in the traditional sense, but blood does play a central role in the imaginative plot. Powers is an exceptional storyteller who often adds horrific elements to the stories he tells, usually to shed light on some horrifying aspect of the present, but no matter the plot device, his true subject has always been human nature.
It's been a hundred years since the age of electricity, and California as it once existed is long gone. The calendar is based on a deck of cards, brandy is used as currency, and residual radiation renders some places off limits. Trash men run loose -- not quite human, not quite robot, a little like a talking vacuum cleaner mated with a barbeque grill -- and the San Berdoo army is threatening to invade Ellay.
Gregorio Rivas is a musician, but he used to perform redemptions. At one point he was a Jaybird, then he rescued people from the Jaybirds. The Jaybirds worship Jaybush (the name's similarity to Jesus is no coincidence), an entity described at one point as an "interstellar limpet eel." The Jaybird sacrament, if taken repeatedly, erodes the mind -- or maybe it opens the mind -- but Rivas is still sharp. Now he sings and plays the pelican and wants nothing to do with the man who wants to pay him a huge sum of money to perform a redemption. But when he learns that the girl under Jaybird control is Urania Barrows, the girl he once loved, he has no choice but to bring her back. Before Rivas became a Jaybird, he spent some time in the depraved city on the outskirts of Ellay known as Venice (home of the Deviant's Palace). It is to Venice he returns in his search for Urania, although he fears she has been taken to the Holy City of Irvine.
On its surface, Dinner at Deviant's Palace is the story of Rivas' attempt to save Urania, but it's really a story about a different kind of salvation. Rivas has become self-centered and self-indulgent, enjoying the fruits of a well-paid life. During his quest for Urania, he rediscovers his empathy for others. Yet empathy can be crippling when survival depends on dispassionate strength. Rivas faces a choice between regaining his confidence but sacrificing his new-found empathy, or remaining a caring person, however weak and uncertain that makes him. Powers also explores the nature of obsession -- with religion, with love, with distorted memories.
Trying to understand exactly what's happening in Dinner at Deviant's Palace sometimes poses a challenge, but by the end, the novel makes sense ... more or less. Its internal logic is consistent even if it isn't always easily understood. Complex characters and a fun story with a serious theme make the novel worth the effort.
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